SubscribeSign In
s
Collection by Susan Ahern

Favorites

View 16 Photos
Melbourne firm Splinter Society’s main goal for the Bungalow 8 renovation and expansion was to create "a more modern, free-flowing series of connected living spaces,
Melbourne firm Splinter Society’s main goal for the Bungalow 8 renovation and expansion was to create "a more modern, free-flowing series of connected living spaces,
"In some ways the strongest attributes of the house are probably the outside spaces,” says Court. The original cedar deck was replaced with Kebony decking that wraps around a century-old cherry tree. A pair of Andy rockers from Mamagreen face an ottoman by Kenneth Cobonpue. The accordion doors are a NanaWall SL-60 system that allows the main room of the guesthouse to open completely to the deck.
"In some ways the strongest attributes of the house are probably the outside spaces,” says Court. The original cedar deck was replaced with Kebony decking that wraps around a century-old cherry tree. A pair of Andy rockers from Mamagreen face an ottoman by Kenneth Cobonpue. The accordion doors are a NanaWall SL-60 system that allows the main room of the guesthouse to open completely to the deck.
The second floor is where all three generations come together to eat, play, work, and gather around the fireplace.
The second floor is where all three generations come together to eat, play, work, and gather around the fireplace.
A guest bedroom, with furniture from Room & Board, overlooks the bridge above the dining courtyard. The home’s landscape architecture is by Ventura, California–based Jack Kiesel. Photo by Coral von Zumwalt.
A guest bedroom, with furniture from Room & Board, overlooks the bridge above the dining courtyard. The home’s landscape architecture is by Ventura, California–based Jack Kiesel. Photo by Coral von Zumwalt.
In the house’s front room Monkman relaxes on a stool from local retailer Andrew Richard Designs. A new window system draws in sunlight and views of the front courtyard designed by local landscape architect Terry McGlade, the building’s former owner.
In the house’s front room Monkman relaxes on a stool from local retailer Andrew Richard Designs. A new window system draws in sunlight and views of the front courtyard designed by local landscape architect Terry McGlade, the building’s former owner.
Weekend House, Schroeder, MN, 2009.
Weekend House, Schroeder, MN, 2009.
The structure appears to hover above a stone retaining wall.
The structure appears to hover above a stone retaining wall.
The house is divided into three sections connected by a series of outdoor galleries. “When I walk from one room to another, I have to go outdoors and feel the weather and nature—rain, cold, and sun,” says Sævik. Instead of emphasizing the expansive panorama of oak, pine, and aspen trees, the house frames select views—a move inspired by Japanese design.
The house is divided into three sections connected by a series of outdoor galleries. “When I walk from one room to another, I have to go outdoors and feel the weather and nature—rain, cold, and sun,” says Sævik. Instead of emphasizing the expansive panorama of oak, pine, and aspen trees, the house frames select views—a move inspired by Japanese design.
A floating Ipe bench now sits outside the front door, juxtaposed against siding painted Benjamin Moore “Wrought Iron.” The glass panels beside the door now have reeded glass.
A floating Ipe bench now sits outside the front door, juxtaposed against siding painted Benjamin Moore “Wrought Iron.” The glass panels beside the door now have reeded glass.
The two tiny homes were designed by CAST Architecture.
The two tiny homes were designed by CAST Architecture.
Tasked with renovating a 1950s ranch in Northern California, Ogawa Fisher Architects revived an existing Japanese garden at the center of the home as a central organizing element. Low-slung, wide decks (inspired by the Japanese “engawa,” or elevated walkway) and deep roof soffits expand the living spaces, frame views, and blur the boundaries between inside and outside. The garden is the second of three courtyards that orients the various wings of the home from front to back, creating a vast sense of openness while also maintaining privacy from other areas of the house and the street.
Tasked with renovating a 1950s ranch in Northern California, Ogawa Fisher Architects revived an existing Japanese garden at the center of the home as a central organizing element. Low-slung, wide decks (inspired by the Japanese “engawa,” or elevated walkway) and deep roof soffits expand the living spaces, frame views, and blur the boundaries between inside and outside. The garden is the second of three courtyards that orients the various wings of the home from front to back, creating a vast sense of openness while also maintaining privacy from other areas of the house and the street.