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In Brad’s music studio, slanted hemlock ceilings enhance the acoustics, which were overseen by George Augspurger of Hollywood’s Sunset Sound fame. The floor is a 12-inch-thick floating concrete slab. A custom work table, designed by Colter and fabricated by Stephan Roggenbuck of Conscious Wood Work and David Wade, sits across from a Steinway grand. The amount of light in the studio is intentionally unorthodox. “I wanted to see the day change and feel a connection to the outside world,” says Brad.
“Most spaces, you’re looking outside. I love pretty much every angle,” said Sara. “The views created are of the property, the trees and nature. It’s really neat to see the outdoor environment change when you’re inside this house. You can see the leaves, whether they’re green or it’s fall or they’re completely gone because it’s winter.”
Jeremy noted that one of his favorite perspectives in the house is found in “this interstitial space between the primary bedroom wing and the great room. It’s kind of a flex space with a long counter along the wall, where the family can sit at their computers and get stuff done. At the end of that space is a reading nook with a bench seat and this large window that has a great view down to the lake and into the wooded area. It’s a great example of how you can maximize the use of these hallway.”
Storage was vital for this young family, and the design team incorporated it wherever they could. Though the space is relatively compact, smartly programmed walls of cabinetry—like the one that runs through the hallway room from a work station to the main bedroom—make it simple to keep clutter out of sight.
In their query letter, Ben and Sarah were clear that they wanted a home that could accommodate all of life’s messes. “We don't want a white display kitchen that only looks good when it's clean and not in use. We want our kitchen to be able to work hard. We love to cook and when we do, there are usually lots of things on the go and a mess being made.”
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