Collection by Влада Бабич
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The entry hall has space to store boots and coats as you come into the home. The flooring throughout is high-quality vinyl that mimics the effect of a timber floor. “At first, I thought, ‘Everything else in this house is wood, how can we do a vinyl floor?,’” says architect Tom Knezic. “But nobody would do a hardwood floor in a cottage, because you don’t heat it all winter and they tend to buckle. The vinyl is a very premium product, and it looks fantastic—but it can freeze and get wet. It was perfect because you don’t have to worry about the kids coming in with wet clothes, or with sand on their feet.”
“One of the most interesting parts of the project was the foundation, as we used ground screws,” says architect Tom Knezic. “I’ve never done a foundation like this, but it’s really neat because you just screw into the ground, weld the beam on top, and you’ve got a foundation in two days. It’s a very light footprint, as we didn't have to do any blasting or chipping. We had to remove some trees to fit the cottage in, but we tried to keep as many as possible around the building—by using ground screws, you’re not damaging the roots of adjacent trees.”
Chen used high-contrast materials to lighten the space, which has only one window. He lined the kitchen in glossy 3-D tile from Ann Sacks, and wall covering from Flat Vernacular. He removed the rear wall of the kitchen and replaced it with a sliding acid-etched glass partition, which picks up ambient light from windows in the service entrance. Chen installed drawers below the white marble countertops and swapped out overhead cabinets for full-height cabinets in the pantry. Under the glass partition, a thick counter of striped Kenya Black marble adds doubles as a bar top and work surface.
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