Collection by Milton Hime
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When Rob and Mary Lubera started pulling threads to uncover the origins of their new home—the lone midcentury house amid rows of Tudor Revivals in suburban Detroit—not even architecture scholars could have anticipated what they would find. Theirs is the last surviving residence by Alexander Girard (1907–1993), a modernist visionary who made his name in textiles but tried his hand at virtually everything, architecture included. The shoji-like laminate screens, seen in the entryway, are characteristic of his Japanese-influenced work.
Karen and Brian’s home is a vibrant new addition to a block of midcentury bungalows in Vancouver, British Columbia. One of the volumes is clad in untreated tongue-and-groove Western red cedar. The other is covered in multicolored cedar shakes, which are skewed at an angle that aligns with the slope of the roof. Architect Clinton Cuddington of Measured Architecture worked with the owners to fine-tune the unconventional pattern and color palette. Concrete from the building that formerly occupied the site was repurposed for the stoop.
Rudolph M. Schindler’s Kallis House, recently restored by home- owners Susan Orlean and John Gillespie, is often referred to as the Austrian-born architect’s late- period masterpiece. It makes use of the “Schindler frame,” an adaptation that allowed him to design large glazed openings and thin ceilings and roofs.
The cantilevered addition was kept, and another bedroom added to the second floor over the existing house. Parks collaborated with Fort Structures to ensure that the third addition would sync with the rest of the house, replicating the window placement to make them sit between the roof beams, while still meeting current code and insulating the ceiling.
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