Collection by Danielle Powers
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The architects divided the home into separate floors for sleeping, living, and working. Since the house is situated on a hill that slopes 20 feet from top to bottom, there are plenty of stairs. Those pictured above were crafted using wood salvaged from a 100-year-old bungalow that previously stood on the site.
"The buildings recall the agricultural forms of the local built environment, but as is our nature in our designs, we sought to take that context and evolve it to a more emphatic modern language. We sought to design something that was exquisitely proportioned in a quiet, agricultural way." –Tom Kundig, Design Principal
The Bigelows’ house throws a nod to its midcentury modern neighbors with its subdivided plan and shallow-pitched roof. The three pavilion layout was also partly in response to tough city restrictions regarding the removal of the various beech and redwood trees on the property. However, the Butler Armsden design team was able to use the profusion of trees to their advantage, creating lines of sight to foliage from almost anywhere in the house.
The exterior features locally reclaimed redwood siding that provides another connection with the redwoods on the site. The stucco is painted in custom color-matched Benjamin Moore paint.
Two art studios adjoin a central volume at this work/live residence built from terracreto (sustainable concrete), glass, and painted steel just outside of San Miguel de Allende, Mexico. Residents Austin and Lida Lowrey, retired design and museum professionals, collaborated with their two daughters—Sheridan, an artist, and Elizabeth, an architect—to design the structure as a place for creative contemplation.
Tribeca Manufacturing Building
New York–based architect Andrew Franz undertook the renovation of a landmark circa-1884 former soap warehouse in Tribeca, originally designed by George W. DaCunha in the Romanesque Revival style. Franz reorganized and modernized the six-story building—which retains its original 16-foot beam ceilings, brick walls, timber columns, and elevator winches from the former freight shaft—by incorporating steel, glass, handmade tile, and lacquer to complement the masonry and heavy timber. An interior courtyard and rectangular mezzanine are situated below the original 16-foot gull-wing ceiling planes.
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