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The rear of the home had been complicated by many additions. Davis streamlined the space as one adjoining kitchen, living room, dining room, and lower sunroom.

The utility sink and moveable countertop were purchased second-hand. Throughout the interiors, the framing was left exposed. Fire-resistant mineral wool insulation was applied to the exterior, then clad with Alaskan Yellow Cedar boards finished in a shou sugi ban treatment.

“They really wanted to have tile in the kitchen and at the front door, but everyone disliked that hard edge line,” says Gregga. “Doing the organic edge of the tile helped make the entry space and kitchen feel like one, and then it disintegrates into the living and dining room.”

In the kitchen, an “Alpine Mist’ Caesarstone slab tops Alder cabinets. A mint green custom steel hood conceals a Vent-a-Hood insert, and Ann Sacks ‘Context’ tile in Frost covers the backsplash.

Light pours into the renovated kitchen from all directions, with the breezy natural palette transforming the room into a warm and inviting family space. After removing walls, the dated and mismatched floors became an eyesore, with Leah opting to replace them with Hakwood Engineered European Oak floors in ‘Aura,’ which run throughout the home.

“I like the darkness of walnut. Other woods tend to yellow if you don’t stain it, while walnut stays true to itself,” Caleb says. The white glass tile backsplash melds with the wall.

Kelli embraced simple raw materials like marine-grade plywood and let them shine. “I made a design rule for myself for this project: no material should imitate another material. If it’s plywood, let it look like plywood. Let’s celebrate that.”