Collection by Karin Verputten
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While the owners really liked the idea of shou sugi ban, they opted for a more cost-effective black stain. The random-width, reverse board-and-batten siding reflects the wabi-sabi concept. “The builder said the math for the random siding was torturous,” the wife said. “We didn’t know how hard it was to make things look simple.” DeNiord planted hay-scented fern and lowbush blueberry sod around the house. “We didn't want any side of the house to feel unconsidered,” he says. As for the local boulders he placed around the house and terrace, he says, “They give the feeling that the house grew up around the outcroppings.”
A club from the Fiji islands is mounted on the wall of the fireplace that divides the living and dining rooms. The dining room—furnished with two Cab chairs by Mario Bellini for Cassina, a pair of Cowhorn chairs by Hans J. Wegner for Johannes Hansen, the Barcelona Table by Mies van der Rohe for Knoll, and a Y61 stool by Alvar Aalto for Artek—has no windows, but lightwells on either side of the chimney provide brightness. Another design by Wegner, the Chair, peeks out from the dining room.
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