Collection by frani ricci
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The geometric shape of the roof was driven by the desire to capture a “perspective view” out into the landscape, through both windows and skylights. “The volumes of the roof extend that view out into the landscape,” says architect Peter Tolkin. “The angle and shape of these various views were all connected, which is how the shape of the roof structure got produced.” As a result, each volume has a unique shape and section.
Remarkable for its walls of triple-glazed glass, Snorre Stinessen Architecture’s Ejford Cabin straddles two stone ridges on northern Norway’s Hallvardøy Island. Perched on a concrete slab, it intentionally capitalizes upon passive solar conditions and features thick insulation to minimize energy output.
Close to Sugarbush’s Mount Ellen and the Mad River Glen ski area, Fayston, Vermont, is the prime setting for Little Black House. Giving the retreat its name, Elizabeth Herrmann Architecture + Design only had 1,120 square feet to work with. Sitting just below the top of a hill, the black-stained cabin flaunts a classic gable structure with a stripped-down interior melding white walls and pale wood floors.
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