Collection by Darko Arandjelovic
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Since the home is something of a pied-à-terre for the clients, its design is geared more toward short-term stays than full-time living. That means spaces like the kitchen are set up for entertaining. Notice the curve on the cabinetry, counter, and backsplash, which is Calacatta Macchia Vecchia marble. All of the appliances are from Fisher & Paykel, and the wall sconce is a Gabriel Scott single Welles pendant in smoked glass and brushed brass.
“The bones of the original stair are in there,” says McGuier. “We just sawed off the bottom half, put a new straight portion of stair onto the spiral stair, then covered the whole thing in sheet metal and painted it.” Vintage slipper chairs in mohair sit on either side of a vintage Art Deco parchment table.
Chen used high-contrast materials to lighten the space, which has only one window. He lined the kitchen in glossy 3-D tile from Ann Sacks, and wall covering from Flat Vernacular. He removed the rear wall of the kitchen and replaced it with a sliding acid-etched glass partition, which picks up ambient light from windows in the service entrance. Chen installed drawers below the white marble countertops and swapped out overhead cabinets for full-height cabinets in the pantry. Under the glass partition, a thick counter of striped Kenya Black marble adds doubles as a bar top and work surface.
The wood herringbone floors were lightened, and bold furniture was brought in to brighten up the space. A circular custom sofa designed by MKCA, upholstered in a bright blue synthetic textile from Maharam, serves as the centerpiece of the room, readily available for family time, intimate conversation, or parties. Surrounding a vintage brass table are a sculptural chair by Charles Rennie Mackintosh and poufs upholstered in shaggy mohair. The carpet by MKCA is made from joining two shapes of broadloom synthetic silk together.



















