Collection by Dylan Rait
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The ceiling height in this room was dictated by the dimensions of the lofted bedroom above. In order to preserve the eight-foot-tall windows, Kaplan designed a light well around the top. “We did not want to cut off the tops of those triple windows because they’re really stunning,” says Kaplan. “I love that about our renovated projects, where you turn a deficit into a strength.”
In the powder room, the marble hex floor tile was sourced from Tile for Less in Seattle, while Matthew copied the design for the wainscot from the lobby of the historic Publix Hotel, now an apartment building. The sink and faucet are both salvaged finds, with a sink bowl from Elkay. Matthew and Holly chose the Scalamandre wallpaper because it was designed for the NYC restaurant Gino’s, where Matthew’s grandfather was a regular.
Matthew previously fabricated custom furniture for a decade, so built all of the kitchen cabinets, banquette and table, and island. The latter is made of a 120-year-old beam from the house that had to be replaced. Matthew counted the rings and surmises it was from a tree that started growing before the American Revolution. The perimeter counters are cherry and Butcher designed the upper cabinet to float over the window, which casts sunlight through the glassware and rainbows over the room.
Rakks shelving ($400) and two BluDot cabinets ($1200) mark the transition from front to back of house. A well-loved Tobia Scarpa Monk chair and Robert Sonneman Orbiter Sconce stand guard to the left. Because they’re not monsters, Ben and Emilio also disconnected the industrial overhead lighting immediately upon moving in.
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