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Collection by Sally Semler

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Designed by architect Chalfont Head in 1950, the French Residence is a captivating home that’s been beautifully preserved.
Designed by architect Chalfont Head in 1950, the French Residence is a captivating home that’s been beautifully preserved.
Klopf Architecture updated this Eichler with a radiant floor heating system, re-stained paneling, and a new office/guest room filled with Eichler hallmarks like dark bronze door handles.
Klopf Architecture updated this Eichler with a radiant floor heating system, re-stained paneling, and a new office/guest room filled with Eichler hallmarks like dark bronze door handles.
San Francisco–based Michael Hennessey Architecture paid homage to Eichler's affinity for open spaces by reconfiguring the living area on the upper floor and moving the kitchen to organically connect the rooms.
San Francisco–based Michael Hennessey Architecture paid homage to Eichler's affinity for open spaces by reconfiguring the living area on the upper floor and moving the kitchen to organically connect the rooms.
“The pitched ceilings and ribbon of clerestory windows make the interior feel more spacious than it is,” notes Gooden.
“The pitched ceilings and ribbon of clerestory windows make the interior feel more spacious than it is,” notes Gooden.
The angled roof of the post-and-beam construction.
The angled roof of the post-and-beam construction.
The renovation of this midcentury home in Falmouth, Maine, incorporates a modern aesthetic while preserving the home's midcentury character, as well as making it more energy efficient. Now, the bright and spacious kitchen opens to the dining and living spaces. The additional row of windows follows the roofline and fills the space with natural light.
The renovation of this midcentury home in Falmouth, Maine, incorporates a modern aesthetic while preserving the home's midcentury character, as well as making it more energy efficient. Now, the bright and spacious kitchen opens to the dining and living spaces. The additional row of windows follows the roofline and fills the space with natural light.
The team expanded the kitchen and gave it a modern look that now features stunning walnut cabinets, gray Caesarstone counters, and a beautiful teal backsplash with tile from the Ann Sacks Modern Line.
The team expanded the kitchen and gave it a modern look that now features stunning walnut cabinets, gray Caesarstone counters, and a beautiful teal backsplash with tile from the Ann Sacks Modern Line.
See Arch removed a wall to create a more spacious kitchen with a stronger visual connection to the dining area. The updated kitchen is outfitted with quartz countertops and Viking, Fisher Paykel, and Asko appliances.
See Arch removed a wall to create a more spacious kitchen with a stronger visual connection to the dining area. The updated kitchen is outfitted with quartz countertops and Viking, Fisher Paykel, and Asko appliances.
In the kitchen, interior designer Emily Knudsen Leland replaced purple laminate cabinets with flat-sawn eastern walnut, and added PentalQuartz countertops in polished Super White for contrast. The cooktop and oven are from Miele.
In the kitchen, interior designer Emily Knudsen Leland replaced purple laminate cabinets with flat-sawn eastern walnut, and added PentalQuartz countertops in polished Super White for contrast. The cooktop and oven are from Miele.
The essence of this 1950s kitchen was recreated with modern-day appliances and additional counter space.
The essence of this 1950s kitchen was recreated with modern-day appliances and additional counter space.
This midcentury in Armonk, New York, was the personal residence of Arthur Witthoefft, an architect for renowned firm Skidmore, Owings & Merrill. Witthoefft won an AIA First Honor Award in 1962 for his design, and the home was listed on the Register of Historic Places in 2011 after a meticulous restoration profiled in Dwell. The kitchen was modernized with white lacquer and stainless steel.
This midcentury in Armonk, New York, was the personal residence of Arthur Witthoefft, an architect for renowned firm Skidmore, Owings & Merrill. Witthoefft won an AIA First Honor Award in 1962 for his design, and the home was listed on the Register of Historic Places in 2011 after a meticulous restoration profiled in Dwell. The kitchen was modernized with white lacquer and stainless steel.
For the renovation of this Portland midcentury kitchen, Risa Boyer started by removing a wall and converting the former galley kitchen into an open plan that shares space with the living and dining areas. Now, the centerpiece of the kitchen is a generous island with plywood cabinetry veneered with vertical-grain Douglas fir and a Caesarstone counter with a waterfall treatment at one end.
For the renovation of this Portland midcentury kitchen, Risa Boyer started by removing a wall and converting the former galley kitchen into an open plan that shares space with the living and dining areas. Now, the centerpiece of the kitchen is a generous island with plywood cabinetry veneered with vertical-grain Douglas fir and a Caesarstone counter with a waterfall treatment at one end.
HabHouse renovated this Pasadena midcentury and gave it a completely new kitchen designed according to its original footprint. The materials were chosen in accordance with the original architect Calvin Straub's favored materials: vertical grain Douglas Fir.
HabHouse renovated this Pasadena midcentury and gave it a completely new kitchen designed according to its original footprint. The materials were chosen in accordance with the original architect Calvin Straub's favored materials: vertical grain Douglas Fir.
Previously, the long volume of the main living area was chopped in half by a wall that enclosed the kitchen on one side. The division was a jarring way to separate the kitchen and dining room from the main living space, so the designers removed it to improve the connection between the main living areas. Removing the wall helps to expose the home’s beautiful post and beam structure throughout and unify the living spaces. To emphasize the structure, the team repainted the ceiling beams a dark color to contrast with the natural wood that was preserved.
Previously, the long volume of the main living area was chopped in half by a wall that enclosed the kitchen on one side. The division was a jarring way to separate the kitchen and dining room from the main living space, so the designers removed it to improve the connection between the main living areas. Removing the wall helps to expose the home’s beautiful post and beam structure throughout and unify the living spaces. To emphasize the structure, the team repainted the ceiling beams a dark color to contrast with the natural wood that was preserved.
Wise maintained the footprint of the kitchen, which is roughly 125 square feet, then maxed out the storage. "Our goal here was to create a sleek and minimal kitchen respectful to the era of the home that was hyper-functional in a small space," says Wise. The black stools are from IKEA.
Wise maintained the footprint of the kitchen, which is roughly 125 square feet, then maxed out the storage. "Our goal here was to create a sleek and minimal kitchen respectful to the era of the home that was hyper-functional in a small space," says Wise. The black stools are from IKEA.
"We designed a fully-custom, expanded chef’s kitchen featuring European-style cabinets, a large island with waterfall countertops, and hardwood floors," say Sommer and Costello. The light and bright kitchen has cabinetry by Gilbert Sojo, quartz counters, and a streamlined black GE range hood that syncs with the black finger pulls from Cosmas.
"We designed a fully-custom, expanded chef’s kitchen featuring European-style cabinets, a large island with waterfall countertops, and hardwood floors," say Sommer and Costello. The light and bright kitchen has cabinetry by Gilbert Sojo, quartz counters, and a streamlined black GE range hood that syncs with the black finger pulls from Cosmas.
Thick Calacatta marble counters wrap streamlined sage green flat-front cabinetry, painted in Farrow & Ball's "Mizzle." The island pendants are Cedar & Moss, and the Alfi Low-Back counter stools are by Jasper Morrison for Emeco.
Thick Calacatta marble counters wrap streamlined sage green flat-front cabinetry, painted in Farrow & Ball's "Mizzle." The island pendants are Cedar & Moss, and the Alfi Low-Back counter stools are by Jasper Morrison for Emeco.
The firm enlisted their Parisian carpenter to make the cabinets in the "Frey style and color"—stained maple topped with cream-colored quartz. Appliances are all Bertazzoni except for the refrigerator and freezer, which is a Frigidaire Professional. The brick wall would not have been original, but the firm kept it and hand-painted the surface in the style of Le Corbusier’s Parisian apartment.
The firm enlisted their Parisian carpenter to make the cabinets in the "Frey style and color"—stained maple topped with cream-colored quartz. Appliances are all Bertazzoni except for the refrigerator and freezer, which is a Frigidaire Professional. The brick wall would not have been original, but the firm kept it and hand-painted the surface in the style of Le Corbusier’s Parisian apartment.

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