Collection by Dwayne C. Williams
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DiNiord collaborated with craftsman Ken Hood to design the concrete bench with firewood storage and detachable wood back. Douglas fir columns along the walkway creates a colonnade. The mono-sloped roof is a nod to the long roofline of the original house that stood on the property. “Reducing the angles also reflects the strictness to budget,” the wife says.
While the owners really liked the idea of shou sugi ban, they opted for a more cost-effective black stain. The random-width, reverse board-and-batten siding reflects the wabi-sabi concept. “The builder said the math for the random siding was torturous,” the wife said. “We didn’t know how hard it was to make things look simple.” DeNiord planted hay-scented fern and lowbush blueberry sod around the house. “We didn't want any side of the house to feel unconsidered,” he says. As for the local boulders he placed around the house and terrace, he says, “They give the feeling that the house grew up around the outcroppings.”
A floor lamp nearly eight feet tall anchors the seating area in the living area. Ceilings that are 12 feet tall at the highest point help the room feel expansive. “We needed to find a way to define different areas in a relatively tight space,” Lachapelle says. It’s the clients’ first experience with an open floor plan. “We raised our kids in an old Victorian, and the farmhouse we live in now is chopped up into tiny rooms save for the studio we just added,” the husband says.
Architect Cristina Ioana Graff worked with homeowners Dale and Lois Schreiber to renovate a 1960s house designed by Herbert Beckhard, a business partner of Marcel Breuer. They kept the building’s aesthetic intact while restoring the original hot tar and gravel roof and adding copper drip edges for a contemporary touch.
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