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Exposed brick in the main bedroom reveals metal struts inserted by David Cunningham to tighten the party wall's attachment to the facade.

The board-formed concrete retaining wall holds firewood and is also a bench. Beyond, the garden lounge backs up against the studio and a retaining wall. “It’s a study in how little you can do to define a space,” Thomas says.

“We pulled apart one volume and staggered it along the buildable area of the property,” says architect Matthew Ahlberg of Portland firm Barrett Made. The home is clad in unfinished cedar, meant to weather over time.

The goal for the first floor was to embrace the shade provided by the mature trees, create a rich material moment, and incorporate all of the storage that the family would need.

The office now has a combination of open and closed storage to suit the owner’s belongings. The internal window to the hall is on the left.

The repurposed lath serves as a feature wall in the bedroom as well. Slots were routed into the lath for custom supply registers.

"We clad the bathroom doors with the lath as well, adding a nearly invisible aluminum pull," explains Darci. "The adjacent bookshelf was the first project that Dale and I worked on together—and that was 18 years ago."

The architects did not want "the operating theater" of can lights, so Ernesto designed a custom fixture consisting of a simple steel plate that disguises "cheap can lights," seen here in the upper hallway. "It looks like a $1,500 fixture, but it's like $300," he says.

The Artichoke light in bronze from Louis Poulsen joins Vitra cork stools and leather couches from Borge Mogensen.

The floors and ceiling throughout are American oak. A floor-to-ceiling, plate-glass window measuring 2.8 meters wide (or about nine feet) overlooks the entry courtyard.

To create a low-energy house, several passive environmental strategies have been incorporated into the home, including a heated floor system and exterior automated wood blinds. "Natural air ventilation in every room and cross-ventilation between opposite facades keeps the need for air conditioning to a minimum,

"The structure is made of a high-quality, high-strength Southern Yellow Pine, laminated and milled into beams and columns with highly-precise profiles,

Tongue-and-groove ceilings, mahogany-paneled walls, and a glass wall opening the living space to the atrium are classic Eichler characteristics.

The floor plan was streamlined by demolishing a wall between the living room and dining area. A staircase with white oak steps leads to the new top floor, which contains the master suite, roof deck, and study. “Opening up the space a bit, improving the views and flow, and adding that upper level added more opportunities for Greg and Kirsten to enjoy time with their family,” says architect Robert Miller of Bohlin Cywinski Jackson.

The 1952 dwelling that Greg Hoffman and his wife, Kirsten Brady, bought in Portland, Oregon, had many virtues. It had history (the first owner was an inventor who made stereoscopic devices), it had a strong architectural pedigree (it was designed by respected local architect Roscoe Hemenway), and above all, it had views. But, of course, it also had its flaws: the ceilings were low, the interior was chopped into a warren of rooms, and the windows weren’t exactly abundant. "We wanted open plans, more transparency, less tiny rooms," says Greg, the VP of global brand innovation at Nike. With the aid of Bohlin Cywinski Jackson—the 50-year-old architecture firm that is best known for the Fifth Avenue Apple store in New York City—the couple embarked on a project to enrich the landscaping, simplify the layout, and add a new top floor, all while amplifying the view with more glass. After a major renovation, the midcentury home with some of the best views in Portland, Oregon, took on a drastically new look.

"The attic bathroom was non-existent," explains Claude. "We created an attic shed dormer out the back of the house and added a tile shower, floor, and beautiful restroom/vanity area." The designers also added a large closet to the attic.

SHED added oversized sliding glass doors which allow for indoor/outdoor living during the warmer months, while new wood cabinetry establishes a clean, minimalist aesthetic, and an oversized, marble-topped island with a table extension provides room to cook, eat, and entertain. Oversized sliding doors open to the expansive deck, while skylights fill the space with natural light—a necessity with Seattle's gray winter skies.

SHED redid the original fireplace in black brick.