Collection by Taylor Woolley
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The upstairs bedroom was designed with privacy in mind. Arnott placed it toward the back of the house and outfitted it with its own private balcony, which provides an elevated view of the landscape. The architect describes the house as one with a dual personality: "It needed to be a sanctuary, but also host 20-plus skiers in a hot tub."
In the bedroom, a custom tie-dyed wool blanket by Project Room lies on top of linens by Coyuchi. The large painting is by John Finneran, and the Eames chair is an heirloom from Lizz’s family. The space also features a Componibili Bio nightstand by Anna Castelli Ferrieri from Kartell, along with a “Katz Ramona, Katz Ramona, Katz Ramona” painting by John Finneran and an “Untitled” painting by Jennifer Boysen.
An iconic First chair by Michele de Lucchi for Memphis sits under Antonio’s Rorschach paintings in the bedroom. "They're twins, made from an inkblot process," he says. When it came to buying the furniture he didn’t make, the architect thought about an adage from fashion designer Vivienne Westwood: "Buy less, choose well, and make it last."
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