Collection by Karen Hejzlar
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The main body of the house is clad in cedar painted in Benjamin Moore Deep Caviar, joined with Buechel Stone Spalted Oak Sienna Flats, and natural cedar on the ends. Each finish alludes to the different eras of the house, layered together, with the painted cedar marking “the original body of the home,” says Natalie. “The stone felt like it was an important element of the earth to bring in, and the two other cedar elements at the ends are additions.”
The brass backsplash was a risky experiment carried off by Natalie, who started with unlacquered 4x8 foot sheets, then gave them patina by covering them in vinegar, ketchup, and salt, and leaving them out in the sun. The resulting pattern was aligned as carefully as possible, and the surface sealed. “We just had to essentially cut the topography into a way that felt really great,” says Natalie.
Project architects Studio Marshall Blecher and Jan Henrik Jansen Arkitekter opened up the center of the house, previously comprising a maze of fourteen small rooms, creating one large and airy kitchen and dining space with a high, chapel like ceiling. A six-meter-long concrete plinth standing at the center of the room which doubles as an island bench and dining table, had to be lowered into the house by a crane while the roof was being reconstructed.
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![In the kitchen, minimalism prevails. Jared notes that the use of plywood was loosely inspired by design seen in the 1960s Sonoma County Sea Ranch community. "It's something that one of my heroes, [architect] Barbara Bestor has done very well," he says.](https://images2.dwell.com/photos/6973953999472058368/7030525071121997824/original.jpg?auto=format&q=35&w=160)





