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Rossi did not carry the dividing wall between the bedroom and living room all the way up to the ceiling, so as not to break up the treatment up there, instead designing the wall as a custom storage and display unit.

The loft-style bedroom showcases a white oak niche, outfitted with colorful bowls by Loyal Loot, above the bed.

Next to a wood-burning fireplace is a setup for the family’s record player and albums. Instead of a standard television set, they use a projector.

The house is well equipped for weather conditions in an area known for intense winds and heavy snowfall during the winter months.

The cabinets and staircase are made from local wood, the bean bag was a present from Bernjus.

Curtis designed the Ash built-in bench and table, to be narrow enough so as not to encroach the living room, yet still fit the whole family. The “elevated but casual” stools, another Urbanology design, are covered in a textural wool, and designed to tuck completely under the table or move around as needed.

Curtis completely overhauled the shelving, changing the shapes of the niches and covering them in micro-cement.

In the first-floor bathroom, the mermaid backsplash Caleb carved plays off the Hygge & West “Mermaid” wallpaper.

A built-in white oak shelf holds homeowner Craig Clark's collection of vinyl records.

For the living room, Caroline chose lounge chairs from Australia’s Barnaby Lane, a coffee table from Sobu, Maiden Home sofas, and a Moroccan rug from Muima.

Project architects Studio Marshall Blecher and Jan Henrik Jansen Arkitekter opened up the center of the house, previously comprising a maze of fourteen small rooms, creating one large and airy kitchen and dining space with a high, chapel like ceiling. A six-meter-long concrete plinth standing at the center of the room which doubles as an island bench and dining table, had to be lowered into the house by a crane while the roof was being reconstructed.