Collection by Chelsea Blackmon
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Originally designed by locally renowned architect Arthur Dallas Stenger, this 1960s home featured an unusual awning that was maintained during a 21st-century upgrade by architects Rick and Cindy Black. The architects partially reconfigured the interior layout, updated the kitchen, and added new doors to the porch, all the while making sure the adjustments to the house honored its midcentury provenance while still avoiding creating a time capsule.
In Los Angeles’s Nichols Canyon, architect Dan Brunn was tasked with renovating a home rich in architectural history, but lacking in modern functionality. The 1957 home's closed-off kitchen was thoughtfully reimagined, maintaining the post-and-beam structure of the Edward Fickett–designed home while updating and opening up selective areas to the outdoors.
When Austin-based firm Matt Fajkus Architecture was tasked with renovating this classic midcentury home, they sought to open up the interior—not only by unifying the common areas into an open-plan layout, but also by literally raising the home's roof. This strategy increased the ceiling height on three sides of the home, allowing for the insertion of clerestory windows to create a bright and airy open living space. "The raised ceiling maintains the original pitched roof geometry to stay harmonious with the existing gabled roof in the private zone," explain the architects in a statement.
Jessica Helgerson Interior Design, with project manager and lead designer Emily Kudsen Leland at the helm, remade a Portland abode with a crisp paint palette: Benjamin Moore’s Wrought Iron for the cladding and Venetian Gold for the front door. The home was originally designed by Saul Zaik in Southwest Portland, complete with a wood-clad exterior, in 1956. As part of the renovation, landscape design was completed by Lilyvilla Gardens.
As most of the original interior had been gutted and remodeled by previous owners, the surviving design elements were just the bones, including the floor plan, facade, and most of the original framework. The owner used these structural components to heighten the indoor/outdoor quality, while also replacing frosted glass with clear, double-paned glass.
Villa Engels, the home of the esteemed Belgian modernist Lucien Engels (1928–2016), was falling apart when its second owners bought it in 2013. Yet due to its heritage status, any changes they planned would have to be approved by the provincial preservation office. Engels completed the elongated, cantilevered residence in 1958, the same year he finalized the master plan for Expo ’58, the Brussels World’s Fair that famously featured the Atomium.
When architect Nick Martin was hired to rework an art curator’s Hamptons property into a Zen-like getaway from the big city, he took an appropriately holistic view. It’s the beach house that’s got it all: green technology; passive solar design; rich materials; an expansive feeling, despite a petite half-acre corner lot; and a design concept that references its humble beginnings as an off-the-rack kit house.
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