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The expanded kitchen has a large central island, with room for prep, seating, storage, and cooking. The cabinetry is a mix of wood, Shinnoki Milk Oak, and white fronts, Fenix NTM Bianco Kos. The terrazzo counters are by Concrete Collaborative. There are two types of tiles: the Mutina Rombini fluted tile on the island and Cepac Krave Sugar Tiles on the backsplash. “It looks very mid-century modern,” says Blaine of the backsplash tile. “But in this application, it also adds that little touch of depth that I think is really important to making the house feel interesting.” The counter stools are from Hay.

The renovated kitchen is open, airy, and connected to the rest of the main level. Plum Projects used Bedrosians Magnifica Luxe polished white porcelain for the island, countertops, and backsplash. The black upper cabinets are made from Richlite: a durable, sustainable material made from recycled paper.

In leafy northwest Washington, D.C., a two-story addition expands a 1936 home without overwhelming it.

The D-Fin House gets its name from a loft space that projects from the main level like the skeg of a vintage surfboard. Owner Mitch Marks uses the area as an office. Steely designed the pine bookcase, and the Eames Group chair is from Herman Miller. A Haiku ceiling fan from Big Ass Fans ushers in fresh air and cool seaside breezes.

Two new structures were also built in the backyard, and connected to the main house via the landscape plan by Lilyvilla Gardens. One is a 485-square-foot guest house, and the other is a 375-square-foot workshop for the owner, who’s a bike builder. They have the same exterior siding as the main house: rough-sawn tongue and groove cedar.

The beautifully landscaped front yard of 9 Tallwoods Road.

Floor-to-ceiling windows take in expansive forest views.

The owners built the house as a place to gather with their three adult children on Loon Lake, where they had vacationed at the husband’s family home for years. The modern Adirondack chairs are by Loll Designs.

“The roof overhang extends the living space,” says Boyer, so the deck becomes a spot to entertain visiting friends and family. The couple have been working to restore the surrounding land, as well.

Sphinx, the family Carolina dog, scouts the perimeter of the Concrete Collaborative pavers in the backyard. The pavers were installed on a slight angle to channel water to the surrounding gravel, lawn, and planting beds. This substantially lowers the landscape's water demand. Perforated PVC pipes and a pump move excess rainfall (which would otherwise go to storm drains) into an underground basin where it can later drain off. Redwood fencing reflects the material palette of the interior and creates visual continuity around the backyard.

In 2009 on a quiet Los Angeles corner, Mel Elias found a severely water-damaged, crumbling 5,000-square-foot house hidden behind a tangle of overgrown vegetation. Its former owner, the late Hollywood acting coach Milton Katselas, had filled his property with industrial skylights and enormous, wood-burning fireplaces. The glass-and-concrete construction was framed by high ceilings, rusted steel beams, and varied elevations across the single-story plan. Thanks to an 11-year long, multiphase renovation by designer Carter Bradley, the home—with all of its quirks and character—shines again.

"The main challenge was making a space with a 250-square-foot footprint actually feel large," says Mackay. "The key to its success is high ceilings, eight-foot doors, and oversize windows."

Brammy and Kyprianou hung Koura pendant lights by New Zealand designer David Trubridge above the dining area. Their organic forms and diamond-shaped shadows create intimacy in the vast space. Among Bilardo’s contributions were the black tulipwood cabinetry and ceiling and the cantilevered concrete countertop that appears to go through the glass wall.

The double-height wall of windows in the living room looks out on the property and was a big draw on their first walk-through.

When the casement windows are opened, family members can bask in sunlight while reading a book indoors.

In the open living/kitchen/dining area, the containers’ original apitong wood flooring, heavily sanded and sealed multiple times, complements the industrial austerity of the painted corrugated steel ceilings. The rug is vintage.