Collection by Heidi Higginbottom
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In the kitchen, the showstopping ceiling’s herringbone pattern is echoed by the terra-cotta tiles on the floor. Architect Michael O’Sullivan, who designed the steel-and-glass kitchen cabinets, the table, and the pendant lights (made by Lava Glass), further amped up the richness of the room by specifying an onyx kitchen island. Interior designer Yvette Jay, a collaborator and classmate of O’Sullivan, kept her material palette “tight and limited. I had to restrict myself so that everything here ties in with the architecture.”
A new kitchen at the front of the house completes the trifecta of reworked rooms on the main level. It fits nicely into the notion of balancing new and old elements throughout the house, with oak detailing married to exposed brick, offset by strip lamps. The Hee bar stools are by HAY, the Caravaggio P3 pendants are by Light Years, and the range oven is from Britannia.
The House of Earth + Light had been featured in the pages of the New York Times and on the cover of Dwell’s premiere issue, and was revisited years later. In the kitchen, an elegant palette of materials defines the open space. The rear counter is sanded stainless steel; the island counter is Purpleheart (an exotic hardwood) with a range by Dacor.
A couple takes a minimalist approach to their Brooklyn apartment, focusing on supple materials, subtle gradations of color, and custom finishes by local craftsmen. The Mandayam–Vohra family gathers under one of Workstead’s signature three-arm chandeliers, shown here in its horizontal configuration. Bartenschlager designed the white cabinets and is responsible for the walnut counters both on the kitchen island and near the stove.
Black-rimmed steel clerestory windows add illumination in this diminutive white kitchen where black accents abound. A black Aggregato Saliscendi Suspension light, designed by Enzo Mari and Giancarlo Fassina for Artemide, accents against the white Calacatta marble countertops and MAP's oak Milky Stools.
Rejuvenation offers collections that use the same design language and finishes across lighting, hardware, and plumbing to allow you to create a cohesive look in your home. In this kitchen, Blair pendants and sconces have been paired with Blair shelving, Blair cabinet hardware and Blair faucets to create a kitchen with strikingly geometric elements inspired by 1940s industrial design.
This kitchen features Rejuvenation’s new Allenglade pendants and sconces to create a strong statement with lighting. Here, the design follows the “rule of three,” which dictates that three pendant lights will create a sense of visual balance when evenly spaced over a large island. The oil-rubbed bronze finish of the lighting has been matched with the finish of the Poetto faucets and the Rye counter stools to create a cohesive, industrial-inspired aesthetic throughout.
The clients and design team chose to forego an open floor plan in favor of defined, separated spaces. In this scheme, the vertically oriented spaces act as a cinematic "hard-cut" to their horizontal counterparts. The custom hot rolled steel kitchen, one of these vertical transition spaces, receives light from above through a Velux skylight. A GE Profile Induction cooktop and oven and Miele refrigerator complete the space.
Shophouses are a staple of Southeast Asian urban architecture. A team of designers including Yong Ter, Teng Wui, Andrew Lee, and Edwin Foo renovated this shophouse into a contemporary sanctuary over the course of two years. They left the roof completely open from the beginning of the original airshaft to the back of the house. The heart is a cooking/dining area with a 13-foot-long Indonesian table made from a single piece of teak.
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