Collection by Carol Pretorius
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A glazed, sloping ceiling allows light to wash over the dining area. "<span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, "Segoe UI", Roboto, Oxygen-Sans, Ubuntu, Cantarell, "Helvetica Neue", sans-serif;">We moved in before we started the work, so we got to experience the space,
The entry speaks to how the owners’ modern aesthetic was merged with the historic bones of the brownstone. Now, a marble mosaic tile from Ivy Hill Tile, the ‘Prism Pink,’ was inset into the oak floor to define the entry. The interior designer picked a leather-faced wall-hung cabinet, as the leather will gain patina over time from the high traffic area, yet still look good.
Karen and Brian’s home is a vibrant new addition to a block of midcentury bungalows in Vancouver, British Columbia. One of the volumes is clad in untreated tongue-and-groove Western red cedar. The other is covered in multicolored cedar shakes, which are skewed at an angle that aligns with the slope of the roof. Architect Clinton Cuddington of Measured Architecture worked with the owners to fine-tune the unconventional pattern and color palette. Concrete from the building that formerly occupied the site was repurposed for the stoop.
ROAR Architects updated a former women’s refuge in London’s Kentish Town Conservation Area into two interconnected flats for a brother-and-sister duo. Housed in a historic Victorian, each of the flats have their own entrance. The interiors are also differentiated by their distinct color palettes and materials, which the architects designed to reflect the personality of each sibling.
The kitchen now occupies the addition, and the island was detailed to look like a piece of furniture to better meld with the living room. The cabinet colors are Farrow & Ball’s Skimming Stone and Sherwin-Williams’s Garden Gate, and were handpainted instead of spray-finished, so as "not to have something too slick or sterile," says VW. "We wanted them to be warm and have personality."
The eponymous founder and principal of Michael K. Chen Architecture resuscitated a four-story, 3,600-square-foot home in Brooklyn’s Clinton Hill neighborhood that was built in 1895 and had been abandoned for 20 years. Its newest owners—a tech investor and an art teacher at a public school—were inspired by the playful color palette that was still apparent underneath the building’s decay. "We had epic color palette meetings, looking at deck after deck for paint colors that spoke to us or provoked a particular sensation,” says Chen. “You don’t look at the color, you inhabit it.”
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