Collection by Carol Pretorius
A glazed, sloping ceiling allows light to wash over the dining area. "<span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">We moved in before we started the work, so we got to experience the space,
A glazed, sloping ceiling allows light to wash over the dining area. "<span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">We moved in before we started the work, so we got to experience the space,
The entry speaks to how the owners’ modern aesthetic was merged with the historic bones of the brownstone. Now, a marble mosaic tile from Ivy Hill Tile, the ‘Prism Pink,’ was inset into the oak floor to define the entry. The interior designer picked a leather-faced wall-hung cabinet, as the leather will gain patina over time from the high traffic area, yet still look good.
The entry speaks to how the owners’ modern aesthetic was merged with the historic bones of the brownstone. Now, a marble mosaic tile from Ivy Hill Tile, the ‘Prism Pink,’ was inset into the oak floor to define the entry. The interior designer picked a leather-faced wall-hung cabinet, as the leather will gain patina over time from the high traffic area, yet still look good.
The chairs are from Hay, the Cast Pendant is by Tom Chung &amp; Jordan Murphy with Menu, and the TE070 countertops are from Diespeker.
The chairs are from Hay, the Cast Pendant is by Tom Chung &amp; Jordan Murphy with Menu, and the TE070 countertops are from Diespeker.
Karen and Brian’s home is a vibrant new addition to a block of midcentury bungalows in Vancouver, British Columbia. One of the volumes is clad in untreated tongue-and-groove Western red cedar. The other is covered in multicolored cedar shakes, which are skewed at an angle that aligns with the slope of the roof. Architect Clinton Cuddington of Measured Architecture worked with the owners to fine-tune the unconventional pattern and color palette. Concrete from the building that formerly occupied the site was repurposed for the stoop.
Karen and Brian’s home is a vibrant new addition to a block of midcentury bungalows in Vancouver, British Columbia. One of the volumes is clad in untreated tongue-and-groove Western red cedar. The other is covered in multicolored cedar shakes, which are skewed at an angle that aligns with the slope of the roof. Architect Clinton Cuddington of Measured Architecture worked with the owners to fine-tune the unconventional pattern and color palette. Concrete from the building that formerly occupied the site was repurposed for the stoop.
The Colemans opted for mint-green cabinetry with gold hardware and matte-black Richlite counters in the cedar-wrapped kitchen.
The Colemans opted for mint-green cabinetry with gold hardware and matte-black Richlite counters in the cedar-wrapped kitchen.
ROAR Architects updated a former women’s refuge in London’s Kentish Town Conservation Area into two interconnected flats for a brother-and-sister duo. Housed in a historic Victorian, each of the flats have their own entrance. The interiors are also differentiated by their distinct color palettes and materials, which the architects designed to reflect the personality of each sibling.
ROAR Architects updated a former women’s refuge in London’s Kentish Town Conservation Area into two interconnected flats for a brother-and-sister duo. Housed in a historic Victorian, each of the flats have their own entrance. The interiors are also differentiated by their distinct color palettes and materials, which the architects designed to reflect the personality of each sibling.
Downstairs, the color returns in the primary bathroom, where the designers took out carpeting and a glossy black toilet and put in a Zuma tub beneath an &amp;Tradition Flowerpot pendant.
Downstairs, the color returns in the primary bathroom, where the designers took out carpeting and a glossy black toilet and put in a Zuma tub beneath an &amp;Tradition Flowerpot pendant.
A custom-designed oak grid shelf by Julie Mølsgaard provides a striking framework for Jette's prized collection of ceramics.
A custom-designed oak grid shelf by Julie Mølsgaard provides a striking framework for Jette's prized collection of ceramics.
The kitchen island and cabinets at this Melbourne renovation are made of recycled timber, taking cue from the wooden bookcase that designer Kim Kneipp installed during the home’s first restyling.
The kitchen island and cabinets at this Melbourne renovation are made of recycled timber, taking cue from the wooden bookcase that designer Kim Kneipp installed during the home’s first restyling.
Ice Green marble from Signorino Stone forms the backsplash and countertops. The island bench was custom built with 2PAC grooved MDF in the front and Tasmanian oak legs. The bespoke kitchen hood is made from folded metal with a bronze detail seam up the middle.
Ice Green marble from Signorino Stone forms the backsplash and countertops. The island bench was custom built with 2PAC grooved MDF in the front and Tasmanian oak legs. The bespoke kitchen hood is made from folded metal with a bronze detail seam up the middle.
The kitchen now occupies the addition, and the island was detailed to look like a piece of furniture to better meld with the living room. The cabinet colors are Farrow & Ball’s Skimming Stone and Sherwin-Williams’s Garden Gate, and were handpainted instead of spray-finished, so as "not to have something too slick or sterile," says VW. "We wanted them to be warm and have personality."
The kitchen now occupies the addition, and the island was detailed to look like a piece of furniture to better meld with the living room. The cabinet colors are Farrow & Ball’s Skimming Stone and Sherwin-Williams’s Garden Gate, and were handpainted instead of spray-finished, so as "not to have something too slick or sterile," says VW. "We wanted them to be warm and have personality."
The same detailing is found here for consistency, including a quartz counter in Lincoln White from Daltile white counter and a more dramatic porcelain backsplash, the Calacatta Aries pattern from Daltile’s Panoramic Porcelain Series. The faucet is by Grohe.
The same detailing is found here for consistency, including a quartz counter in Lincoln White from Daltile white counter and a more dramatic porcelain backsplash, the Calacatta Aries pattern from Daltile’s Panoramic Porcelain Series. The faucet is by Grohe.
The shelves and the hidden bar are painted a delightful ‘Tarrytown Green’ by Benjamin Moore.
The shelves and the hidden bar are painted a delightful ‘Tarrytown Green’ by Benjamin Moore.
A powder room has Mulberry Torridon Woodsmoke wallpaper, a white oak counter framing a Kohler sink, and brass accents by way of the Watermark faucet and Wo &amp; We light fixture.
A powder room has Mulberry Torridon Woodsmoke wallpaper, a white oak counter framing a Kohler sink, and brass accents by way of the Watermark faucet and Wo &amp; We light fixture.
The black core anchors the home and tucks utilitarian functions behind imperceptible doors. The core “connects the floors visually, enhances the verticality of the townhouse, and creates a dramatic backdrop for the hallway bridges at each level,” notes the firm.
The black core anchors the home and tucks utilitarian functions behind imperceptible doors. The core “connects the floors visually, enhances the verticality of the townhouse, and creates a dramatic backdrop for the hallway bridges at each level,” notes the firm.
The eponymous founder and principal of Michael K. Chen Architecture resuscitated a four-story, 3,600-square-foot home in Brooklyn’s Clinton Hill neighborhood that was built in 1895 and had been abandoned for 20 years. Its newest owners—a tech investor and an art teacher at a public school—were inspired by the playful color palette that was still apparent underneath the building’s decay. "We had epic color palette meetings, looking at deck after deck for paint colors that spoke to us or provoked a particular sensation,” says Chen. “You don’t look at the color, you inhabit it.”
The eponymous founder and principal of Michael K. Chen Architecture resuscitated a four-story, 3,600-square-foot home in Brooklyn’s Clinton Hill neighborhood that was built in 1895 and had been abandoned for 20 years. Its newest owners—a tech investor and an art teacher at a public school—were inspired by the playful color palette that was still apparent underneath the building’s decay. "We had epic color palette meetings, looking at deck after deck for paint colors that spoke to us or provoked a particular sensation,” says Chen. “You don’t look at the color, you inhabit it.”
The interior of the cabin is outfitted with a living space that converts to a sleeping area and an open kitchen. Birch plywood wraps the interior, lending warmth and texture.
The interior of the cabin is outfitted with a living space that converts to a sleeping area and an open kitchen. Birch plywood wraps the interior, lending warmth and texture.

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