Collection by Yvette M Raymond
Designed by Cal Poly Pomona students, this factory-built Wedge cabin prototype features plywood interiors for a raw and rustic vibe.
Designed by Cal Poly Pomona students, this factory-built Wedge cabin prototype features plywood interiors for a raw and rustic vibe.
Lookofsky outfitted the bedroom with built-in pine plywood bunkbeds, walls, and a ceiling. The bathroom and a closet are also wrapped in plywood.
Lookofsky outfitted the bedroom with built-in pine plywood bunkbeds, walls, and a ceiling. The bathroom and a closet are also wrapped in plywood.
Located in a forested, countryside area near a lake and vegetable garden, the cabin was designed by São Paulo architect Silvia Acar as a simple space for sleeping, cooking, and reconnecting with nature.
Located in a forested, countryside area near a lake and vegetable garden, the cabin was designed by São Paulo architect Silvia Acar as a simple space for sleeping, cooking, and reconnecting with nature.
To make the most of a 900-square-foot home, Keiko and Takuhiro Shinomoto reworked an old garage into a guest room and clad the interior with unfinished plywood to match the home’s modern and unfussy aesthetic.
To make the most of a 900-square-foot home, Keiko and Takuhiro Shinomoto reworked an old garage into a guest room and clad the interior with unfinished plywood to match the home’s modern and unfussy aesthetic.
Throughout the home, the walls and floors feature the natural grain patterns of lacquered plywood. The Stokke Tripp Trapp chair in the dining room was Lizz’s when she was growing up in the 1980s while the two Steen Ostergaard chairs were a thrift store find, and Project Room designed the table.
Throughout the home, the walls and floors feature the natural grain patterns of lacquered plywood. The Stokke Tripp Trapp chair in the dining room was Lizz’s when she was growing up in the 1980s while the two Steen Ostergaard chairs were a thrift store find, and Project Room designed the table.
Plywood lines the attic guestroom of Mattie Iverson’s revamped Tudor home in the Queen Anne section of Seattle. The floor lamp is by Frandsen and the duvet is from Pottery Barn. The similarly colored bed frame lends a sense of serene continuity, and appears to float in the stripped-down space.
Plywood lines the attic guestroom of Mattie Iverson’s revamped Tudor home in the Queen Anne section of Seattle. The floor lamp is by Frandsen and the duvet is from Pottery Barn. The similarly colored bed frame lends a sense of serene continuity, and appears to float in the stripped-down space.
For cross ventilation, the residents can open and close the large sliding doors around the porch, which the architect describes as “the heart of the home.” Likewise, windows are positioned to provide breezes when necessary.
For cross ventilation, the residents can open and close the large sliding doors around the porch, which the architect describes as “the heart of the home.” Likewise, windows are positioned to provide breezes when necessary.
The Hut rests peacefully on a bank overlooking the lake.
The Hut rests peacefully on a bank overlooking the lake.
"It only cost about $48,000 to build, which was incredibly cheap," says Turner of the Stealth Barn. "We got the Timber Frame Company to supply the shell, then we clad it and fitted out the interior and windows ourselves. The idea was to take the archetypal black tar-painted agricultural building and make an almost childlike icon of that."
"It only cost about $48,000 to build, which was incredibly cheap," says Turner of the Stealth Barn. "We got the Timber Frame Company to supply the shell, then we clad it and fitted out the interior and windows ourselves. The idea was to take the archetypal black tar-painted agricultural building and make an almost childlike icon of that."
In 2015, a young couple expecting their first child reached out to Nimtim Architects to extend their townhouse in Forest Hill, London, to make room for their growing family. <span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">For the interiors, the firm chose timber for “a hard-wearing internal finish and a gentle, humane scale within the space,” says O’Callaghan. A series of semi-open plywood screens creates porous living, dining, and kitchen areas</span><span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">.</span>
For the interiors, the firm chose timber for “a hard-wearing internal finish and a gentle, humane scale within the space,” says O’Callaghan. A series of semi-open plywood screens creates porous living, dining, and kitchen areas