Collection by Brett Wight
"We didn't want to put a lot of furniture out there," says Terry of the east terrace, adding that they sometimes bring the dining table outside for meals. "You can make it work with whatever you want."
"We didn't want to put a lot of furniture out there," says Terry of the east terrace, adding that they sometimes bring the dining table outside for meals. "You can make it work with whatever you want."
Architects Max Worrell and Jejon Yeung transformed a 1970s house on a converted dairy farm into a modern upstate retreat for New Yorkers Chandra and Sharmila Sen. <span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">The nine-acre property provides plenty of space for the couple’s two labradoodles, Jack and Leo, to roam</span><span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">. </span>
The nine-acre property provides plenty of space for the couple’s two labradoodles, Jack and Leo, to roam
Although synthetic slate roof tiles have been around since the 1970s, the way architect Stephen Bruns used them to completely clad Woven House is unusual. "I love this material," says Bruns. "The way light reflects off the tiles creates a specular effect, almost like a mosaic." That reflective quality is enhanced by the floor-to-ceiling windows by Loewen.
Although synthetic slate roof tiles have been around since the 1970s, the way architect Stephen Bruns used them to completely clad Woven House is unusual. "I love this material," says Bruns. "The way light reflects off the tiles creates a specular effect, almost like a mosaic." That reflective quality is enhanced by the floor-to-ceiling windows by Loewen.
A view of the connecting vestibule for which the house is named. The exterior is clad entirely in tiles made from recycled rubber and plastic—technically a roofing material—giving the eaveless home a tightly wrapped skin. “Although we used a traditional gabled form, we wanted to clean it up quite a bit,” says Bruns.
A view of the connecting vestibule for which the house is named. The exterior is clad entirely in tiles made from recycled rubber and plastic—technically a roofing material—giving the eaveless home a tightly wrapped skin. “Although we used a traditional gabled form, we wanted to clean it up quite a bit,” says Bruns.
In a sophisticated main bathroom in Seattle, sea-green concrete floor tiles with a geometric pattern provide a lawn of color against wood walls and white tile. The paper lanterns are also a clear homage to the building’s Japanese inspirations.
In a sophisticated main bathroom in Seattle, sea-green concrete floor tiles with a geometric pattern provide a lawn of color against wood walls and white tile. The paper lanterns are also a clear homage to the building’s Japanese inspirations.
While most of the interior is clad in wood, the bathroom is covered in a sleek gray tile.
While most of the interior is clad in wood, the bathroom is covered in a sleek gray tile.
This house has an exterior of black panels and clear-grain cedar tongue-and-groove siding, and a rooftop deck that lets its owners enjoy the outdoors.
This house has an exterior of black panels and clear-grain cedar tongue-and-groove siding, and a rooftop deck that lets its owners enjoy the outdoors.
Although The Goat Heads are mostly clad in metal, it’s the plastic panel walls at the entries that really shine. “In the evening they act like lanterns and animate the courtyards,” says Rogers. Their glow is tempered by the concrete breeze-block walls. “It was important that the units weren’t too bright—part of the beauty out here is the sky at night.”
Although The Goat Heads are mostly clad in metal, it’s the plastic panel walls at the entries that really shine. “In the evening they act like lanterns and animate the courtyards,” says Rogers. Their glow is tempered by the concrete breeze-block walls. “It was important that the units weren’t too bright—part of the beauty out here is the sky at night.”
"Radical sustainability
"Radical sustainability
All of the furniture was meticulously handmade by Klebba and Reis to serve the family’s needs.
All of the furniture was meticulously handmade by Klebba and Reis to serve the family’s needs.
<span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">On average, we spend about a third of our lives asleep. Shop our picks for bedding that makes it time well spent.</span>
On average, we spend about a third of our lives asleep. Shop our picks for bedding that makes it time well spent.
Casa Tobita north elevation
Casa Tobita north elevation
Casa Tobita floor plan
Casa Tobita floor plan
A long timber deck wraps around the north and west sides of the home. Glass sliding doors located in every room emphasize an indoor/outdoor experience.
A long timber deck wraps around the north and west sides of the home. Glass sliding doors located in every room emphasize an indoor/outdoor experience.
An antlers light fixture made in Bariloche, Argentina hangs above the dining table that was locally made from native coihue wood. The living room sofas were purchased at Forastero and are paired with a Muebleco table.
An antlers light fixture made in Bariloche, Argentina hangs above the dining table that was locally made from native coihue wood. The living room sofas were purchased at Forastero and are paired with a Muebleco table.
Cerused radiata pine wraps around the ceilings and walls. Native tepa timber lines the floors of the main wing, while the floors of the visitor wing feature native laurel.
Cerused radiata pine wraps around the ceilings and walls. Native tepa timber lines the floors of the main wing, while the floors of the visitor wing feature native laurel.

7 more saves