Collection by Jane Behr
Plenty of natural light comes in via the rear glass wall.
Plenty of natural light comes in via the rear glass wall.
Floor Plan of Kjerringholmen Cabin by Line Solgaard Arkitekter
Floor Plan of Kjerringholmen Cabin by Line Solgaard Arkitekter
A combined living room, kitchen, and dining area enjoy ample light and views thanks to the glazed northern facade.
A combined living room, kitchen, and dining area enjoy ample light and views thanks to the glazed northern facade.
The stone fireplace and concrete floors add to the earthy feel of the home. The living room features a sectional by Focus One Home.
The stone fireplace and concrete floors add to the earthy feel of the home. The living room features a sectional by Focus One Home.
The home’s interior is a colorful homage to ’60s and ’70s California surf shacks.
The home’s interior is a colorful homage to ’60s and ’70s California surf shacks.
The homeowners can now perch on a wraparound bench and look out to the backyard. The pendant lights in the corner are from Pop and Scott.
The homeowners can now perch on a wraparound bench and look out to the backyard. The pendant lights in the corner are from Pop and Scott.
The living room is anchored by a large concrete fireplace that also forms the house's robust structural system. Pops of color come from a painting by Milton Wilson.
The living room is anchored by a large concrete fireplace that also forms the house's robust structural system. Pops of color come from a painting by Milton Wilson.
The concrete hearth at the fireplace has angled sidewalls and a bevelled edge.
The concrete hearth at the fireplace has angled sidewalls and a bevelled edge.
Tyler Lemkin turned to contractor Roderick McGrew for help refurbishing his dated Richard Neutra house in the Crestwood Hills area of Los Angeles. One of McGrew’s tasks was ripping up the pink carpeting—which had been added by a previous owner—and installing new wood floors.
Tyler Lemkin turned to contractor Roderick McGrew for help refurbishing his dated Richard Neutra house in the Crestwood Hills area of Los Angeles. One of McGrew’s tasks was ripping up the pink carpeting—which had been added by a previous owner—and installing new wood floors.
"A steep or unstable site can make it difficult and costly to seismically retrofit a structure, or stabilize the site,” says Thomas Schaer at SHED Architecture and Design, a Seattle-based firm with extensive experience in adaptive reuse, as well as midcentury remodel. “There also may be land-use code provisions that limit or prevent development on the lot."
"A steep or unstable site can make it difficult and costly to seismically retrofit a structure, or stabilize the site,” says Thomas Schaer at SHED Architecture and Design, a Seattle-based firm with extensive experience in adaptive reuse, as well as midcentury remodel. “There also may be land-use code provisions that limit or prevent development on the lot."
The Palmer House was built for William and Mary Palmer during the early 1950s, and is one of Wright's last residential masterpieces. Completely secluded and nestled against the northeast side of the beautiful Nichols Arboretum, the house is only a five minute drive (or 20 minute walk) to downtown Ann Arbor. 

The 2,000-square-foot home is furnished with a collection of Wright-designed furniture and even includes a teahouse. The signature Wright design complements the sylvan setting with bold triangular geometry and a cantilevered overhang.
The Palmer House was built for William and Mary Palmer during the early 1950s, and is one of Wright's last residential masterpieces. Completely secluded and nestled against the northeast side of the beautiful Nichols Arboretum, the house is only a five minute drive (or 20 minute walk) to downtown Ann Arbor. The 2,000-square-foot home is furnished with a collection of Wright-designed furniture and even includes a teahouse. The signature Wright design complements the sylvan setting with bold triangular geometry and a cantilevered overhang.
This tiny house set on the bucolic Mirror Lake in Wisconsin is balanced on the edge of a steep hill and measures only 880 square feet. The "flying roof" seems to hang in space without support. Wright was already in his 90s when Seth Peterson asked him to design the cottage, and the 1958 building was Wright’s last Wisconsin project. Wright died in April 1959, before construction was completed.
This tiny house set on the bucolic Mirror Lake in Wisconsin is balanced on the edge of a steep hill and measures only 880 square feet. The "flying roof" seems to hang in space without support. Wright was already in his 90s when Seth Peterson asked him to design the cottage, and the 1958 building was Wright’s last Wisconsin project. Wright died in April 1959, before construction was completed.
Built in 1953 for Samuel and Dorothy Eppstein, the ranch-style home is an exemplary representation of Prairie School-style architecture and Usonian thinking. Constructed by the original homeowners, the midcentury residence displays a history of care and thoughtfulness in every detail. The home has been completely renovated and furnished, staying true to the original era of the home and preserving the handiwork, craft, and brilliance of the original. The massive undertaking was led by husband-and-wife team Tony Hillebrandt and Marika Broere after careful research and conversations with previous residents. The result is a beautiful restoration which respects the history of the home.
Built in 1953 for Samuel and Dorothy Eppstein, the ranch-style home is an exemplary representation of Prairie School-style architecture and Usonian thinking. Constructed by the original homeowners, the midcentury residence displays a history of care and thoughtfulness in every detail. The home has been completely renovated and furnished, staying true to the original era of the home and preserving the handiwork, craft, and brilliance of the original. The massive undertaking was led by husband-and-wife team Tony Hillebrandt and Marika Broere after careful research and conversations with previous residents. The result is a beautiful restoration which respects the history of the home.
Automatic roller sun shades and custom blackout curtains provide privacy. “They’re on a timer,” Shively says, “so throughout the day they move and adjust to the sun.” A chair by Le Corbusier, dresser by George Nelson, and vintage side tables outfit the space. “If the house is going to be so architectural, everything in it needs to be special. I have a lot of vintage things,” Shivley says.
Automatic roller sun shades and custom blackout curtains provide privacy. “They’re on a timer,” Shively says, “so throughout the day they move and adjust to the sun.” A chair by Le Corbusier, dresser by George Nelson, and vintage side tables outfit the space. “If the house is going to be so architectural, everything in it needs to be special. I have a lot of vintage things,” Shivley says.
A view of the couple’s lounge. "From the outset it was clear: Goren and Streeter did not want a scheme for themselves; they needed a scheme that would invite, in a participatory way, the involvement of others," says Hill. "In other words, they are an example of a contemporary household, since they were requesting to enlarge their lives but not in a way that relied on the superseded model of being a ‘family.’"
A view of the couple’s lounge. "From the outset it was clear: Goren and Streeter did not want a scheme for themselves; they needed a scheme that would invite, in a participatory way, the involvement of others," says Hill. "In other words, they are an example of a contemporary household, since they were requesting to enlarge their lives but not in a way that relied on the superseded model of being a ‘family.’"
Hidden Kitchen Pantry Opened
Hidden Kitchen Pantry Opened
Hidden Kitchen Pantry Opening
Hidden Kitchen Pantry Opening
A tall, thatched ceiling of dried palm leaves in the combined kitchen and living area facilitates natural ventilation.
A tall, thatched ceiling of dried palm leaves in the combined kitchen and living area facilitates natural ventilation.

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