Collection by Courtney Guy
The Smiths’ new cabin, designed by Risa Boyer Architecture and completed in 2020, sits in the same spot as their previous home, on five acres on Mount Veeder, in Northern California. Somehow, the red chicken coop, which is constructed of wood, survived the fire with the chickens still alive inside.
The Smiths’ new cabin, designed by Risa Boyer Architecture and completed in 2020, sits in the same spot as their previous home, on five acres on Mount Veeder, in Northern California. Somehow, the red chicken coop, which is constructed of wood, survived the fire with the chickens still alive inside.
Steel-and-timber balustrades connect the multiple levels in the back.
Steel-and-timber balustrades connect the multiple levels in the back.
"It looks like an ordinary home, but there are decisions here that are out of the ordinary,
"It looks like an ordinary home, but there are decisions here that are out of the ordinary,
"In some ways the strongest attributes of the house are probably the outside spaces,” says Court. The original cedar deck was replaced with Kebony decking that wraps around a century-old cherry tree. A pair of Andy rockers from Mamagreen face an ottoman by Kenneth Cobonpue. The accordion doors are a NanaWall SL-60 system that allows the main room of the guesthouse to open completely to the deck.
"In some ways the strongest attributes of the house are probably the outside spaces,” says Court. The original cedar deck was replaced with Kebony decking that wraps around a century-old cherry tree. A pair of Andy rockers from Mamagreen face an ottoman by Kenneth Cobonpue. The accordion doors are a NanaWall SL-60 system that allows the main room of the guesthouse to open completely to the deck.
To turn a home into a permanent residence for a family of four, Rama Estudio attached a prefab glass-and-steel box that extends into the surrounding wilderness.
To turn a home into a permanent residence for a family of four, Rama Estudio attached a prefab glass-and-steel box that extends into the surrounding wilderness.
Sited on a remote, forested plot two hours from San José, Costa Rica, this home was designed with spiritual transcendence in mind—along with off-grid sustainability. When architect María de la Paz Alice of <span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">Mazpazz Arquitectur</span><span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">a first saw the plot in the mountains of Palmichal de Acosta, she was skeptical due to its inaccessibility. Luckily for the client—a film producer and ocean conservationist who dreamed of a place where she could disconnect—the architect was game to take on the project. Casa Salvaje, or Wild House, is an entirely autonomous stone-and-concrete home that uses geometric openings to frame its tranquil surroundings. Teaming up with interior designer Ileana Guerrero—who worked with local artisans to craft custom furnishings for the living spaces—and landscape designer Jorge Salgado, the project is a breathtaking example of architecture that connects to the earth. The home’s entrance, which the architect refers to as “the vortex,” takes the form of a concrete cube with two prominent circular openings. Crystals encrusted in the floor capture and reflect the light that passes through the overhead oculus from the sun and moon. “As you walk in, the circular window framing the mountain view is the focal point, and the sky window above immediately connects you to your surroundings,” says the architect. “I strive to create spaces that will benefit and expand people emotionally and spiritually, just as much as they do aesthetically.”</span>
Mazpazz Arquitectur
In Malinalco, Mexico, Casa Mague by <span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">Mauricio Ceballos X Architects </span><span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">draws inspiration from the region’s Aztec heritage. “Piramide de Malinalco, one of only three carved pyramids in the world, is part of the town’s daily life,” explains the firm’s director and founder, </span><span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">Mauricio Ceballos Pressler</span><span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">. “The inhabitants feel proud of their Aztec roots.” To honor them, and in direct reference to the nearby pyramid, an exterior living area adjacent to the pool in the first slide features a curved and stepped wood wall. To more broadly echo a Mesoamerican worldview, Pressler designed each room of the 2,906-square-foot home to feel as if it’s woven into the landscape. “Trees have ritual meaning,” he explains. “The roots symbolize the connection to the underworld, the trunks symbolize the earthly human life, and the branches symbolize the connection with the Gods.”</span>
Mauricio Ceballos X Architects