Collection by Russell VanBrocklen
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The arrangement of windows in the home creates a play of light and shadow and allows the family to experience different views as they move around the space. “It’s about creating a calm, comfortable home that is still dynamic,” says architect Line Solgaard. “There are 360-degree views but you don’t see in every direction at all times—there are moments of drama throughout.”
The brass backsplash was a risky experiment carried off by Natalie, who started with unlacquered 4x8 foot sheets, then gave them patina by covering them in vinegar, ketchup, and salt, and leaving them out in the sun. The resulting pattern was aligned as carefully as possible, and the surface sealed. “We just had to essentially cut the topography into a way that felt really great,” says Natalie.
Project architects Studio Marshall Blecher and Jan Henrik Jansen Arkitekter opened up the center of the house, previously comprising a maze of fourteen small rooms, creating one large and airy kitchen and dining space with a high, chapel like ceiling. A six-meter-long concrete plinth standing at the center of the room which doubles as an island bench and dining table, had to be lowered into the house by a crane while the roof was being reconstructed.
In their query letter, Ben and Sarah were clear that they wanted a home that could accommodate all of life’s messes. “We don't want a white display kitchen that only looks good when it's clean and not in use. We want our kitchen to be able to work hard. We love to cook and when we do, there are usually lots of things on the go and a mess being made.”
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