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Loon Lake Retreat floor plan

The detached screened porch sits out in the landscape, not unlike a Japanese teahouse.

The concrete wall behind the porch provides a backdrop for the wood stove and privacy from the road.

“Friends can use the screened porch for the day, like a cabana,” the wife says. The couple are also planning for teachers from High Meadow Farm to hold practices here. “People will be able to use the porch and have access to the lake while our family is also using the house,” the husband adds.

Lane also designed a detached screen porch for the property. Its orientation captures the view of a small mountain across the lake. “A New Hampshire lake house always has a screened porch,” he says. “This one allows for a separate experience that connects you to nature.”

In the primary bath, which includes the home’s only indoor shower, Lachapelle used plumbing fixtures and hardware with an oil-rubbed bronze finish that relate to the touches of black in the living space. The wood dowel and leather triangle towel holders are from Schoolhouse.

There’s a one-foot level change down to the primary bedroom, which is Shaker in spirit. Instead of closets, each bedroom has a set of deep, built-in drawers. “The architects kept us to our word that the house is meant for short-term stays,” the husband says. Lachapelle sourced the Ethnicraft bed and side table from Fiore Home in Portland, Maine, and the vintage velvet Ligne Roset chair from the Brimfield Antique Market.

“They’re well-traveled New Englanders who had always lived in older, traditional homes,” Lane says of the clients. “They wanted a contemporary home with warmth, texture, and craft.”

The tile backsplash matches the wall color, though it differs in texture, and the countertop is made from local granite. The light-colored wood screen set at the back of the darkly stained cabinetry mirrors the dark outside and light inside of the exterior facade.

Modern Windsor chairs by Hay surround an oak extension table by Ethnicraft. “You flip a lever and it gets larger,” Lachapelle says. The original plan called for a center island, but the owners wanted the flexibility of a table they could also use as a prep surface. The oak cabinet behind the sofa is on casters for additional utility. “We can even use it outside,” the husband says.

The wife notes that the pattern on the concrete reminds her of a floor she once saw in Nepal.

In the entry, a high interior window borrows light from the bedroom wing and a woven wood screen in the kitchen lets the owners see who’s at the front door. Kalon Studios crafted the bench from a single ash log. “It will split a bit over time,” Lachapelle says.

DeNiord designed a simple concrete bench with a honed top to run parallel to the randomly sized concrete pads that lead to the covered entry. He planted blueberry bushes behind the bench and a river birch tree behind the boulder. To conjure a wabi-sabi feel outdoors, diNiord poured concrete around a boulder. “It represents the interruption of perfect geometry,” he says.

While the owners really liked the idea of shou sugi ban, they opted for a more cost-effective black stain. The random-width, reverse board-and-batten siding reflects the wabi-sabi concept. “The builder said the math for the random siding was torturous,” the wife said. “We didn’t know how hard it was to make things look simple.” DeNiord planted hay-scented fern and lowbush blueberry sod around the house. “We didn't want any side of the house to feel unconsidered,” he says. As for the local boulders he placed around the house and terrace, he says, “They give the feeling that the house grew up around the outcroppings.”

A floor lamp nearly eight feet tall anchors the seating area in the living area. Ceilings that are 12 feet tall at the highest point help the room feel expansive. “We needed to find a way to define different areas in a relatively tight space,” Lachapelle says. It’s the clients’ first experience with an open floor plan. “We raised our kids in an old Victorian, and the farmhouse we live in now is chopped up into tiny rooms save for the studio we just added,” the husband says.

“Metaphorically, the cabin’s exterior is like a cut log,” Lane says. “The black-stained Western red cedar is the bark, and the Douglas fir siding under cover is the exposed wood once the log has been cut.” Beyond the house and native sod gardens, a meadowscape blends into the mature pine forest at the lakefront. “We wanted a woodland garden quality,” landscape architect Soren deNiord says.

Interior designer Heidi Lachapelle chose unfussy furnishings with clean lines. “Nothing should feel decorative or unnecessary,” she says. “We looked for things that would age beautifully to speak to the wabi-sabi concept.” The oak daybed is by Bautier, the indoor/outdoor rug is by Dash & Albert, and the trapezoidal cushions on the concrete bench nod to similar ones that the wife saw at Georgia O’Keefe’s home and studio. The Scandinavian-inspired fireplace throws heat from two sides.

The owners built the house as a place to gather with their three adult children on Loon Lake, where they had vacationed at the husband’s family home for years. The modern Adirondack chairs are by Loll Designs.

The home’s geometric silhouette echoes the classic typology of the region’s gable roof barns. “We took our inspiration from this vernacular architecture and re-interpreted it with a contemporary twist,” Dworkind says.