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The original home was converted into a bedroom level, and given a second-story addition and roof deck. The dark exterior color, a charcoal-eggplant hue, lets the landscape colors stand out in contrast. “The existing house roof became the roof deck,” says Rogers. “And then I just shifted over the addition so that it floated over the landscape.”
The original home was converted into a bedroom level, and given a second-story addition and roof deck. The dark exterior color, a charcoal-eggplant hue, lets the landscape colors stand out in contrast. “The existing house roof became the roof deck,” says Rogers. “And then I just shifted over the addition so that it floated over the landscape.”
Built in 1946 by a photographer/curator couple, the recently updated home has a backyard studio and floor-to-ceiling windows that look out onto a large, greenery-filled lot.
Built in 1946 by a photographer/curator couple, the recently updated home has a backyard studio and floor-to-ceiling windows that look out onto a large, greenery-filled lot.
A new office sits at the front of the house, and its moody walls and bookshelves contrast the other rooms' mostly light and neutral palette.
A new office sits at the front of the house, and its moody walls and bookshelves contrast the other rooms' mostly light and neutral palette.
The KitHaus K3 can serve as a backyard studio, home office, pool house, or playroom.
The KitHaus K3 can serve as a backyard studio, home office, pool house, or playroom.
Wedge by Wheelhaus
Wedge by Wheelhaus
This Beverly Hills kitHAUS is comprised of modernist prefab modules that can accommodate a variety of uses: from yoga studios to home offices, and from weekend retreats to pop-up kiosks and guest rooms.
This Beverly Hills kitHAUS is comprised of modernist prefab modules that can accommodate a variety of uses: from yoga studios to home offices, and from weekend retreats to pop-up kiosks and guest rooms.
“It’s the essence of midcentury design to take an economical approach to making something like the open-truss ceiling striking and beautiful,” says designer Brett Halsey.
“It’s the essence of midcentury design to take an economical approach to making something like the open-truss ceiling striking and beautiful,” says designer Brett Halsey.
Designers Valerie Levitt Halsey and Brett Halsey brought cohesion to a 1949 house in suburban Los Angeles that had been expanded in the early 1960s by its original designer, Donald E. Pedersen. The slanted windows at the front “provide the first hint that there’s something interesting inside,” says Halsey.
Designers Valerie Levitt Halsey and Brett Halsey brought cohesion to a 1949 house in suburban Los Angeles that had been expanded in the early 1960s by its original designer, Donald E. Pedersen. The slanted windows at the front “provide the first hint that there’s something interesting inside,” says Halsey.