Collection by Kendra Shackley
Custom white oak vanities continue the thread in the en-suite bathroom.
Custom white oak vanities continue the thread in the en-suite bathroom.
The living room sits at the rear of the house, connected to the garden. "Even though it's a very small house, we wanted the living room to be very generous," says the couple. "This room is the life of the house."
The living room sits at the rear of the house, connected to the garden. "Even though it's a very small house, we wanted the living room to be very generous," says the couple. "This room is the life of the house."
Solar panels, batteries, a rain-harvested water tank, and a bio-septic treatment system can be added to the Minima to accommodate off-grid sites.
Solar panels, batteries, a rain-harvested water tank, and a bio-septic treatment system can be added to the Minima to accommodate off-grid sites.
Designed by Stockholm firm Waldemarson Berglund Arkitekter, this prefab artist studio called Ateljé 25 is shaped like a Monopoly house, serves as an artist’s studio and has simple plywood interiors and massive skylights.
Designed by Stockholm firm Waldemarson Berglund Arkitekter, this prefab artist studio called Ateljé 25 is shaped like a Monopoly house, serves as an artist’s studio and has simple plywood interiors and massive skylights.
Stucker and Veal custom designed and built the kitchen cabinets, finishing them in Farrow & Ball paint (Lamp Room Grey) to compliment the stone and wood.
Stucker and Veal custom designed and built the kitchen cabinets, finishing them in Farrow & Ball paint (Lamp Room Grey) to compliment the stone and wood.
Bleached walnut replaced cold concrete floors in this family-friendly renovation of a dated loft in West Chelsea’s late 19th-century Spears Building. To make the loft feel more welcoming, architects Ravi Raj and Evan Watts toned down the heavy industrial elements of the 2,700-square-foot loft with a warmer and lighter palette and added custom built-ins for a streamlined look. At the same time, the loft still preserves much of its historic appeal—from the exposed brick seen throughout the home to the oversized openings left intact.
Bleached walnut replaced cold concrete floors in this family-friendly renovation of a dated loft in West Chelsea’s late 19th-century Spears Building. To make the loft feel more welcoming, architects Ravi Raj and Evan Watts toned down the heavy industrial elements of the 2,700-square-foot loft with a warmer and lighter palette and added custom built-ins for a streamlined look. At the same time, the loft still preserves much of its historic appeal—from the exposed brick seen throughout the home to the oversized openings left intact.
A dusty-pink facade is only a hint of what’s inside this 18th-century structure. For Sérgio Antunes, cofounder of Lisbon-based Aurora Arquitectos, the charming exterior and its rich pigment provided a fascinating starting point for the renovation of the Rose Building—a single-family residence in southern Portugal that his team turned into five glowing apartments in collaboration with Lisbon architecture studio FURO. Throughout are huge swaths of color with unique touches: For example, painted on the ceiling of the central stair is a moody mural of a woman in the style of a fresco, and in one of the unit’s bathrooms, more ceiling artwork depicts a mermaid emerging from a swirl of waves. Elsewhere, arched windows, sloped ceilings, ornate moldings, and wooden doors elegantly play off Portuguese marble and patterned ceramic tiles. With the go-ahead from the city, the architects were also able to construct a modern addition at the rear—The Mustard Building—that pairs natural wood partitions with the subdued tones of creamy terrazzo.
A dusty-pink facade is only a hint of what’s inside this 18th-century structure. For Sérgio Antunes, cofounder of Lisbon-based Aurora Arquitectos, the charming exterior and its rich pigment provided a fascinating starting point for the renovation of the Rose Building—a single-family residence in southern Portugal that his team turned into five glowing apartments in collaboration with Lisbon architecture studio FURO. Throughout are huge swaths of color with unique touches: For example, painted on the ceiling of the central stair is a moody mural of a woman in the style of a fresco, and in one of the unit’s bathrooms, more ceiling artwork depicts a mermaid emerging from a swirl of waves. Elsewhere, arched windows, sloped ceilings, ornate moldings, and wooden doors elegantly play off Portuguese marble and patterned ceramic tiles. With the go-ahead from the city, the architects were also able to construct a modern addition at the rear—The Mustard Building—that pairs natural wood partitions with the subdued tones of creamy terrazzo.
A creative way of cutting costs is on display in son Nate’s bathroom, where the wall tiles are arranged in a whimsical, irregular pattern making use of slim sections of tile cut for transitions and corners. “We came up with a pattern that could incorporate random sizes so we were able to order the exact amount of tile that we needed,” Bischoff says. “It allowed us to get the most out of the tile price because there wasn’t that 20 percent that [would normally go] into the landfill.” The two-bowl sink is the Vitviken model from Ikea; it’s topped with a chrome Hansgrohe faucet and accented by Ikea’s Godmorgon medicine cabinets customized by MADE.
A creative way of cutting costs is on display in son Nate’s bathroom, where the wall tiles are arranged in a whimsical, irregular pattern making use of slim sections of tile cut for transitions and corners. “We came up with a pattern that could incorporate random sizes so we were able to order the exact amount of tile that we needed,” Bischoff says. “It allowed us to get the most out of the tile price because there wasn’t that 20 percent that [would normally go] into the landfill.” The two-bowl sink is the Vitviken model from Ikea; it’s topped with a chrome Hansgrohe faucet and accented by Ikea’s Godmorgon medicine cabinets customized by MADE.
All new materials and fixtures were selected to work harmoniously with the structure’s historic character.
All new materials and fixtures were selected to work harmoniously with the structure’s historic character.
Alcoves and open shelving in the kitchen allow dishware and other accessories to be on display.
Alcoves and open shelving in the kitchen allow dishware and other accessories to be on display.