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Uncovering the original concrete surfacing of the columns, which are unusually thick thanks to the building’s original industrial function, was a major undertaking. Covered in successive layers of white paint, a team worked for over a week to expose the concrete, revealing the space’s gritty character.
In the bathroom, a thin pane of glass separates the shower; an Aquaplane sink by Lacava hovers above
a built-in vanity illuminated by a lean Adelphi light by Oxygen Lighting; and blue-green glass penny tiles by Terra Verre decorate the floor. The absence of a door, combined with windows on two sides, makes the bathroom feel like a continuation of the overall space.
Maira wallpaper from the 70s adorns the guest bathroom. When they knocked down several interior walls, Sawatzky and Flanders were left with tons of lath—the thin, irregular strips of softwood that provided the base for wall plaster. With the help of a demolition contractor, they sorted out the cleanest pieces to reuse. The couple clad the box on the second floor that contains their bathroom and closets with the lath, nail-gunning each piece to the walls.
“We often hear that our homes don’t look like prefab,” says architect Meelena Oleksiuk Turkel. “But there’s no reason high quality, good design and prefabrication can’t work together.” Mulmur Hills Farm, for example, makes use of thermally modified ash cladding that contributes to both durability and beauty.
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