Collection by Robert Timken
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The bedroom is elevated around five meters above the forest floor, and the space beneath has—like the green roof—been given back to the Bushveld. “Naturally, this space is shadier than the surrounding forest, so it creates a different microclimate for different species to flourish in that area,” says architect Ant Vervoort. “It’s an area that we have cultivated.”
Although synthetic slate roof tiles have been around since the 1970s, the way architect Stephen Bruns used them to completely clad Woven House is unusual. "I love this material," says Bruns. "The way light reflects off the tiles creates a specular effect, almost like a mosaic." That reflective quality is enhanced by the floor-to-ceiling windows by Loewen.
A view of the connecting vestibule for which the house is named. The exterior is clad entirely in tiles made from recycled rubber and plastic—technically a roofing material—giving the eaveless home a tightly wrapped skin. “Although we used a traditional gabled form, we wanted to clean it up quite a bit,” says Bruns.
Builders, developers, designers, and architects have developed a range of homes that are composed of prefabricated, modular, or kit-of-parts pieces that can allow for lower costs, faster and easier on-site construction, and even higher quality spaces. Here, we delve into the differences—and similarities—among these manufactured residences.
When Austin-based firm Matt Fajkus Architecture was tasked with renovating this classic midcentury home, they sought to open up the interior—not only by unifying the common areas into an open-plan layout, but also by literally raising the home's roof. This strategy increased the ceiling height on three sides of the home, allowing for the insertion of clerestory windows to create a bright and airy open living space. "The raised ceiling maintains the original pitched roof geometry to stay harmonious with the existing gabled roof in the private zone," explain the architects in a statement.
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