Collection by Lev Bubis
“Cynthia made sure the kitchen had enough storage space along with the proper appliances,” Dino notes. “She is a great cook, so the kitchen design was very important to her.”
“Cynthia made sure the kitchen had enough storage space along with the proper appliances,” Dino notes. “She is a great cook, so the kitchen design was very important to her.”
Mater ensuite with a breathtaking view
Mater ensuite with a breathtaking view
A removed bathroom makes space for a designated dining area with a built-in buffet and storage.
A removed bathroom makes space for a designated dining area with a built-in buffet and storage.
In the dining room, black light fixtures by Brokis visually connect to other black architectural details, like the window frames and light switches.
In the dining room, black light fixtures by Brokis visually connect to other black architectural details, like the window frames and light switches.
The dining room addition, which increased the total square footage to 2,700, features a Semi pendant by Bonderup & Thorup for Gubi and a table and chairs from Atelier Arking.
The dining room addition, which increased the total square footage to 2,700, features a Semi pendant by Bonderup & Thorup for Gubi and a table and chairs from Atelier Arking.
Breakfast Nook
Breakfast Nook
Nestled in a celebrated midcentury neighborhood, the Riley Residence was a 1957 ranch house two doors down from Crestwood Hills, the Los Angeles cooperative development known for its collection of A. Quincy Jones masterpieces. The L-shaped floor plan on a large wooded lot was reimagined by architect Cory Buckner, who remodeled and developed an addition inspired by the nearby icons. Quirky retro charm radiates from the home with pistachio green cabinetry in the eat-in kitchen. These were complemented with some quiet complements like Blizzard countertops by Caesarstone and white tile by Ann Sacks. A nook with a tulip-style table by ModShop, a custom upholstered banquette by Johannes Interiors, and a Caboche chandelier by Foscarini accentuates the home's retro charm.
Nestled in a celebrated midcentury neighborhood, the Riley Residence was a 1957 ranch house two doors down from Crestwood Hills, the Los Angeles cooperative development known for its collection of A. Quincy Jones masterpieces. The L-shaped floor plan on a large wooded lot was reimagined by architect Cory Buckner, who remodeled and developed an addition inspired by the nearby icons. Quirky retro charm radiates from the home with pistachio green cabinetry in the eat-in kitchen. These were complemented with some quiet complements like Blizzard countertops by Caesarstone and white tile by Ann Sacks. A nook with a tulip-style table by ModShop, a custom upholstered banquette by Johannes Interiors, and a Caboche chandelier by Foscarini accentuates the home's retro charm.
Part modern farmhouse, part gallery, this vacation home just outside Tahoe National Forest is composed of four distinct gable forms separated by square, stone-clad volumes. It was designed by Tahoe-based architect Clare Walton. The interiors were a collaborative effort between the owner, who is an artist and art collector, and interior designer Brittany Haines of ABD Studio. In the kitchen, a custom-made, six-person breakfast banquet, crafted from walnut, is organized around a table that features cold roll steel table top and a turned wood base that has been ebonized black.
Part modern farmhouse, part gallery, this vacation home just outside Tahoe National Forest is composed of four distinct gable forms separated by square, stone-clad volumes. It was designed by Tahoe-based architect Clare Walton. The interiors were a collaborative effort between the owner, who is an artist and art collector, and interior designer Brittany Haines of ABD Studio. In the kitchen, a custom-made, six-person breakfast banquet, crafted from walnut, is organized around a table that features cold roll steel table top and a turned wood base that has been ebonized black.
Wall shelving is made of wood salvaged from other parts of the house.
Wall shelving is made of wood salvaged from other parts of the house.
Matthew previously fabricated custom furniture for a decade, so built all of the kitchen cabinets, banquette and table, and island. The latter is made of a 120-year-old beam from the house that had to be replaced. Matthew counted the rings and surmises it was from a tree that started growing before the American Revolution. The perimeter counters are cherry and Butcher designed the upper cabinet to float over the window, which casts sunlight through the glassware and rainbows over the room.
Matthew previously fabricated custom furniture for a decade, so built all of the kitchen cabinets, banquette and table, and island. The latter is made of a 120-year-old beam from the house that had to be replaced. Matthew counted the rings and surmises it was from a tree that started growing before the American Revolution. The perimeter counters are cherry and Butcher designed the upper cabinet to float over the window, which casts sunlight through the glassware and rainbows over the room.
Furniture built by Matthew, such as the wall-hung unit holding the stereo, is mixed with antiques, like the foyer table once belonging to Matthew’s great-grandfather, and the couple’s extensive art collection. “We have a lot of art by Seattle artists,” says Holly.
Furniture built by Matthew, such as the wall-hung unit holding the stereo, is mixed with antiques, like the foyer table once belonging to Matthew’s great-grandfather, and the couple’s extensive art collection. “We have a lot of art by Seattle artists,” says Holly.
Matthew and Holly opened up the foyer and kept the exposed framing in place to speak to the house’s history. The figurine on the newel post is not original to the house, but a vintage replacement found online and rewired by Matthew.
Matthew and Holly opened up the foyer and kept the exposed framing in place to speak to the house’s history. The figurine on the newel post is not original to the house, but a vintage replacement found online and rewired by Matthew.