Collection by Corban Torstenson
Lighting and wallpaper were budget splurges that bring the entire house's design together, says Kara. Here, House of Hackney wallpaper joins Farrow & Ball Calke Green paint.
Lighting and wallpaper were budget splurges that bring the entire house's design together, says Kara. Here, House of Hackney wallpaper joins Farrow & Ball Calke Green paint.
The couple added the wainscot, installed by Seamus, and painted in Farrow & Ball Red Earth to continue the “color story” from the breakfast room. The white oak built-in has much needed storage behind the cane cabinet fronts and display. The Caitlin couch by Everygirl for Interior Define sits atop a vintage checkered rug with an Anthropologie coffee table and Hay Paper Shade overhead.
The couple added the wainscot, installed by Seamus, and painted in Farrow & Ball Red Earth to continue the “color story” from the breakfast room. The white oak built-in has much needed storage behind the cane cabinet fronts and display. The Caitlin couch by Everygirl for Interior Define sits atop a vintage checkered rug with an Anthropologie coffee table and Hay Paper Shade overhead.
Farrow & Ball French Gray covers the kitchen cabinetry, fabricated by Toulouse St. Millwork, walls, ceiling, and stove hood. The counters are Arabescato honed marble.
Farrow & Ball French Gray covers the kitchen cabinetry, fabricated by Toulouse St. Millwork, walls, ceiling, and stove hood. The counters are Arabescato honed marble.
The new powder room has Blackthorn wallpaper from Morris & Co, which was chosen for how its green and pink palette “bridges” the other spaces in the home, says Kara. Beckham Double Sconces from Visual Comfort flank a Tufa Modern Mirror from Scout and Nimble, over a marble sink.
The new powder room has Blackthorn wallpaper from Morris & Co, which was chosen for how its green and pink palette “bridges” the other spaces in the home, says Kara. Beckham Double Sconces from Visual Comfort flank a Tufa Modern Mirror from Scout and Nimble, over a marble sink.
“I wanted you to come into a place that was inviting, but with a muted warmth,” says Kara of the decision to immerse the dining room in Farrow & Ball’s Green Smoke, including walls, ceiling, cabinetry, and fireplace, the latter with a relocated mantel. The table is a 17th C. Spanish Walnut Trestle Rectangular Dining Table via Restoration Hardware, surrounded by Ceremonie Green Mohair dining chairs by Athena Calderone, from Crate&Barrel. The Tambor Buffet, beneath windows that Seamus relocated from elsewhere in the house, is from Anthropologie.
“I wanted you to come into a place that was inviting, but with a muted warmth,” says Kara of the decision to immerse the dining room in Farrow & Ball’s Green Smoke, including walls, ceiling, cabinetry, and fireplace, the latter with a relocated mantel. The table is a 17th C. Spanish Walnut Trestle Rectangular Dining Table via Restoration Hardware, surrounded by Ceremonie Green Mohair dining chairs by Athena Calderone, from Crate&Barrel. The Tambor Buffet, beneath windows that Seamus relocated from elsewhere in the house, is from Anthropologie.
Seamus rebuilt the front porch to be more historically accurate, and the couple painted everything in Pink Ground by Farrow & Ball, except the porch ceiling, which has Little Boy Blue by Sherwin Williams.
Seamus rebuilt the front porch to be more historically accurate, and the couple painted everything in Pink Ground by Farrow & Ball, except the porch ceiling, which has Little Boy Blue by Sherwin Williams.
The couple added curved cabinetry and a window seat to form a breakfast nook, painted in Farrow & Ball Red Earth. The table is discontinued from Anthropologie, where Kara previously worked as a display coordinator, and the overhead light is the Lambert & Fils Waldorf Double.
The couple added curved cabinetry and a window seat to form a breakfast nook, painted in Farrow & Ball Red Earth. The table is discontinued from Anthropologie, where Kara previously worked as a display coordinator, and the overhead light is the Lambert & Fils Waldorf Double.
Long-lasting accoya siding covers the exterior, arranged with staggered vertical battens to cut a more slender, flattering profile.
Long-lasting accoya siding covers the exterior, arranged with staggered vertical battens to cut a more slender, flattering profile.
Greenhouse Home floor plan
Greenhouse Home floor plan
Carstensen updated the deck, replacing the vertical posts with screen to create a more open feeling.
Carstensen updated the deck, replacing the vertical posts with screen to create a more open feeling.
Floor plan of Pritchard Residence by Woodhull
Floor plan of Pritchard Residence by Woodhull
Josh and Natalie Pritchard’s residence in the woods of New Gloucester, Maine, consists of two parallel gable structures connected by a breezeway. The taller building is the home, and the shorter is a two-car garage with an in-law apartment. The Pritchard children call the wetlands behind the house “fairy land.”
Josh and Natalie Pritchard’s residence in the woods of New Gloucester, Maine, consists of two parallel gable structures connected by a breezeway. The taller building is the home, and the shorter is a two-car garage with an in-law apartment. The Pritchard children call the wetlands behind the house “fairy land.”
Saltviga House is a weekend home located on a rocky, seafront plot in coastal Norway.
Saltviga House is a weekend home located on a rocky, seafront plot in coastal Norway.
Tucked away on a wooded property in Greenwich, Connecticut, the cantileverd writer’s retreat holds over 1,700 poetry volumes.
Tucked away on a wooded property in Greenwich, Connecticut, the cantileverd writer’s retreat holds over 1,700 poetry volumes.
This 1,200-square-foot cabin was designed as a forest retreat for a family of writers and producers.
This 1,200-square-foot cabin was designed as a forest retreat for a family of writers and producers.
Remo Kommnick and Emi Moore wanted a minimalist home that could blend with its site in rural Virginia. “We had to keep things really simple,” says architect Patrick Farley. The cabin is clad in stained western red cedar, and its form is inspired by shelters on the nearby Appalachian Trail.
Remo Kommnick and Emi Moore wanted a minimalist home that could blend with its site in rural Virginia. “We had to keep things really simple,” says architect Patrick Farley. The cabin is clad in stained western red cedar, and its form is inspired by shelters on the nearby Appalachian Trail.

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