Collection by Bhasker Murthy
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“When I do a headboard, people will say ‘We want to put a shelf here or a sconce will attach here,’” says Yoshimoto. “And I'm like, don't do that because then it is only a headboard. If it’s not, then it's a sculptural thing that is acting as a headboard. As soon as you put a sconce on it, put wiring in—it is a headboard and it's lost its artistic ability to be a sculpture. If you don't want this to be a headboard, you could just hang it on the wall, and it's a sculpture. You could lean it on the wall on its side and it's still a sculpture.”
The whole project comprised only three months of design, two months of production (some 90 percent of which was completed at a Buenos Aires factory), one day of assembly, and five days of adjustments. The structure consists of just four 9-foot-8-inch-by-19-foot-7-inch modules supported by a foundation plate. “If we want to move it, we can,” says Teresa. “We could get a crane and disassemble it and then reassemble it on the coast.”
Architect João Completo used a limited material palette in the house he designed for his parents, a choice he appreciates in many homes featured in Dwell. Birch plywood and concrete are featured throughout. “The language is very coherent in every space, which gives it a sense of fluidity,” Completo says. “It feels a bit bigger than it is because the materials are the same everywhere.”
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