Collection by Sanya E Anderson
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The third-level bar and kitchenette have four openings with wood coverings that slide away. The space is perfect for “wine and ceviche—for enjoying the sunset,” says Ernesto. The table, designed by Ellen, nests into concrete banquette seating. To connect the bar with the top-level viewing deck, Yektajo inserted a spiral staircase with a compact footprint to preserve the views.
The tower was limited to nine meters in height (because it’s sunken, it rises to about eight and a half), but the construction style emphasizes its stature. “We did the board-forming top to bottom to give it a sense of verticality,” Yektajo says. “It makes the tower seem way taller.” The concrete’s rough texture and brown pigment complement the adjacent brick building, now a lounge.
“This is where we had a little fun with the carpentry work,” says Yektajo, referring to the slatted-wood inserts covering the openings in the villa’s primary suite, as well as ones in the guest suite and loft. “You can’t add more windows in the facade of historic buildings, so that was the only way to get ventilation,” he adds. Ellen designed the bed frames with built-in nightstands for every room.
Although strikingly different from its traditional farmhouse exterior, the interiors reference the outer appearance with an exposed solid granite wall in the living room and exposed roof trusses with black plated junctions that recall the artisanal joinery and construction techniques found in traditional Japanese homes.



















