Collection by Lukasz Rzewuski

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Poteet describes the space as “unbearably hot” before he used spray-foam insulation between the exterior walls and the interior bamboo. “Now it’s the equivalent of a steel ice chest,” he says.
Poteet describes the space as “unbearably hot” before he used spray-foam insulation between the exterior walls and the interior bamboo. “Now it’s the equivalent of a steel ice chest,” he says.
A Norwegian boathouse. Photo Courtesy of Pasi Aalto / TASCHEN #cabin #boathouse
A Norwegian boathouse. Photo Courtesy of Pasi Aalto / TASCHEN #cabin #boathouse
Transformer or beach hut? Positioned in a coastal erosion zone, this holiday retreat for a family of five is completely capable of being relocated. An oversized shutter allows for protection from the elements when not in use and opens to allow sun in during the winter or provide shade on hot summer days. Waikato, New Zealand. By Crosson Clarke Carnachan Architects, from the book Rock the Shack, Copyright Gestalten 2013.
Transformer or beach hut? Positioned in a coastal erosion zone, this holiday retreat for a family of five is completely capable of being relocated. An oversized shutter allows for protection from the elements when not in use and opens to allow sun in during the winter or provide shade on hot summer days. Waikato, New Zealand. By Crosson Clarke Carnachan Architects, from the book Rock the Shack, Copyright Gestalten 2013.
Anna Hoover, founder of the non-profit First Light Alaska, sought a "thought refuge, a room with a view to sit and contemplate future projects and reflect on recent travels and interactions, plenty of ‘headspace’—tall ceilings—and the ability to host other artists for studio time," she says. A longtime resident of the Pacific Northwest, Hoover was familiar with the work of Olson Kundig and contacted the Seattle-based firm to design her abode.
Anna Hoover, founder of the non-profit First Light Alaska, sought a "thought refuge, a room with a view to sit and contemplate future projects and reflect on recent travels and interactions, plenty of ‘headspace’—tall ceilings—and the ability to host other artists for studio time," she says. A longtime resident of the Pacific Northwest, Hoover was familiar with the work of Olson Kundig and contacted the Seattle-based firm to design her abode.
Suzanne and Brooks Kelley at the back of their 1,100-square-foot guest cottage.
Suzanne and Brooks Kelley at the back of their 1,100-square-foot guest cottage.