Collection by Patty Glikbarg
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The cantilevered addition was kept, and another bedroom added to the second floor over the existing house. Parks collaborated with Fort Structures to ensure that the third addition would sync with the rest of the house, replicating the window placement to make them sit between the roof beams, while still meeting current code and insulating the ceiling.
The sunken lounge was designed with "slowing down and appreciating the environment" in mind. A custom-made, built-in sofa wraps around the space, bleeding into the stairs and a custom wood display shelf. Not having a TV was an intentional choice. "We wanted the client to be able to lie back and watch the clouds and the sky, to have conversations, to read a book, to play with their pets," says Knights.
Villa Engels, the home of the esteemed Belgian modernist Lucien Engels (1928–2016), was falling apart when its second owners bought it in 2013. Yet due to its heritage status, any changes they planned would have to be approved by the provincial preservation office. Engels completed the elongated, cantilevered residence in 1958, the same year he finalized the master plan for Expo ’58, the Brussels World’s Fair that famously featured the Atomium.
The site was inhabited as soon as the client obtained ownership of the property. According to Woodward, "Whether this was by camping under moonlight in a wag by the fire, or in a sleeping bag rolled out on the half pipe erected within the existing shed, it was to be a place where anyone is welcome."
“This was a former painting workshop, so it has lots of light but no insulation. The roof structure was maintained as is, but we painted it white and covered it with dark natural cork,” shares de la Vega. The pine was all sourced locally from the north of Spain, and the door leads to the couple’s bedroom.
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