Collection by Dóra Gábor
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This New York City home is studded with pieces by such famous names as Knoll, Saarinen, and Risom. Deployed throughout the loft, these modern icons at once unify and separate work and life. Like the architecture, they can be read two ways: as recognizably typical office furniture or as prized home-design collectibles.
As most of the original interior had been gutted and remodeled by previous owners, the surviving design elements were just the bones, including the floor plan, facade, and most of the original framework. The owner used these structural components to heighten the indoor/outdoor quality, while also replacing frosted glass with clear, double-paned glass.
In the mid-fifties, modern residential architecture was suspect in the Eastern San Gabriel Valley. The Roberts family requested a ranch house, but Neutra steered his clients towards his vision. Mrs. Roberts wanted a low plaster ceiling throughout the home, which Neutra refused, choosing tongue-and-groove Douglas fir boards instead. He compromised with a plaster ceiling in the living room, pictured above.
Villa Engels, the home of the esteemed Belgian modernist Lucien Engels (1928–2016), was falling apart when its second owners bought it in 2013. Yet due to its heritage status, any changes they planned would have to be approved by the provincial preservation office. Engels completed the elongated, cantilevered residence in 1958, the same year he finalized the master plan for Expo ’58, the Brussels World’s Fair that famously featured the Atomium.











