Collection by Michael Wilson
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The studio comprises two equally sized spaces—one for Miriam and one for Simon—connected by double doors. The in-between space acts as storage, a small kitchenette, and Miriam’s dark room. Each studio space has been designed to meet the specific needs of the artist. Miriam’s space, for example, is punctuated by an enormous round window that allows her to draw inspiration from the surrounding landscape, while the walls in Simon’s space are dedicated to timber and tool storage.
The studio opens out to a large verandah, which features a six-foot-long vintage French trough sink. The creative couple use it for soaking willow prior to weaving and washing out cyanotype prints. “We had an epic search for the right sleepers for the verandah,” says Miriam. “Eventually, we found some Jarrah sleepers. Our daughter is called Jarrah and it’s an Australian timber, so it felt right.”
Fifty miles north of New York City, a controversial home and guesthouse were built from Frank Lloyd Wright’s drawings on a private island. Intriguingly, the main home was completed in 1996 following Wright's original sketches for the 1950s owner of the island, who ultimately instead commissioned a 1,200-square-foot home on the island because of the high cost. Today, that 1,200-square-foot home serves as a three-bedroom guesthouse—the perfect space for extended family to stay.
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