Collection by Michael Wilson
Yuan relocated salvaged windows into new spots. Chair by Eames LCW.
Yuan relocated salvaged windows into new spots. Chair by Eames LCW.
Madison points out that the pod concept would make it easy to add an extension if necessary. “We see it as a house that can grow with us—and that we can pay for as we go along.”
Madison points out that the pod concept would make it easy to add an extension if necessary. “We see it as a house that can grow with us—and that we can pay for as we go along.”
This ground-floor plan was used as a reference to build the Canadian Castaway Off-Grid Cabin.
This ground-floor plan was used as a reference to build the Canadian Castaway Off-Grid Cabin.
Floor Plan of Kyodai House by Imprint Architecture
Floor Plan of Kyodai House by Imprint Architecture
A look at the home's main entry and garage. <span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">The house is clad in Western red cedar.</span>
The house is clad in Western red cedar.
A concrete block wall (above) separates the entry from the living area, where an Arne Norell Kontiki easy chair joins an Eames lounge chair.
A concrete block wall (above) separates the entry from the living area, where an Arne Norell Kontiki easy chair joins an Eames lounge chair.
A bed and nigh tables by Willie Willette and a Frank Gehry Wiggle chair are joined by Frank Lloyd Wright lamps in the primary bedroom.
A bed and nigh tables by Willie Willette and a Frank Gehry Wiggle chair are joined by Frank Lloyd Wright lamps in the primary bedroom.
To accommodate an island in the kitchen, they moved an interior wall. “It was the only wall that was relocated,” says Scott.
To accommodate an island in the kitchen, they moved an interior wall. “It was the only wall that was relocated,” says Scott.
A Womb chair and ottoman by Eero Saarinen for Knoll are the main attraction in the media room.
A Womb chair and ottoman by Eero Saarinen for Knoll are the main attraction in the media room.
The 1950 Eichler home in Palo Alto, California, that Ogawa Fisher Architects renovated for a family of five features a cool gray facade punctuated by a bright orange front door.
The 1950 Eichler home in Palo Alto, California, that Ogawa Fisher Architects renovated for a family of five features a cool gray facade punctuated by a bright orange front door.
The studio comprises two equally sized spaces—one for Miriam and one for Simon—connected by double doors. The in-between space acts as storage, a small kitchenette, and Miriam’s dark room. Each studio space has been designed to meet the specific needs of the artist. Miriam’s space, for example, is punctuated by an enormous round window that allows her to draw inspiration from the surrounding landscape, while the walls in Simon’s space are dedicated to timber and tool storage.
The studio comprises two equally sized spaces—one for Miriam and one for Simon—connected by double doors. The in-between space acts as storage, a small kitchenette, and Miriam’s dark room. Each studio space has been designed to meet the specific needs of the artist. Miriam’s space, for example, is punctuated by an enormous round window that allows her to draw inspiration from the surrounding landscape, while the walls in Simon’s space are dedicated to timber and tool storage.
The studio opens out to a large verandah, which features a six-foot-long vintage French trough sink. The creative couple use it for soaking willow prior to weaving and washing out cyanotype prints. “We had an epic search for the right sleepers for the verandah,” says Miriam. “Eventually, we found some Jarrah sleepers. Our daughter is called Jarrah and it’s an Australian timber, so it felt right.”
The studio opens out to a large verandah, which features a six-foot-long vintage French trough sink. The creative couple use it for soaking willow prior to weaving and washing out cyanotype prints. “We had an epic search for the right sleepers for the verandah,” says Miriam. “Eventually, we found some Jarrah sleepers. Our daughter is called Jarrah and it’s an Australian timber, so it felt right.”
Fifty miles north of New York City, a controversial home and guesthouse were built from Frank Lloyd Wright’s drawings on a private island. Intriguingly, the main home was completed in 1996 following Wright's original sketches for the 1950s owner of the island, who ultimately instead commissioned a 1,200-square-foot home on the island because of the high cost. Today, that 1,200-square-foot home serves as a three-bedroom guesthouse—the perfect space for extended family to stay.
Fifty miles north of New York City, a controversial home and guesthouse were built from Frank Lloyd Wright’s drawings on a private island. Intriguingly, the main home was completed in 1996 following Wright's original sketches for the 1950s owner of the island, who ultimately instead commissioned a 1,200-square-foot home on the island because of the high cost. Today, that 1,200-square-foot home serves as a three-bedroom guesthouse—the perfect space for extended family to stay.
Seeking $1.5M, the nearly 3,000-square-foot Usonian-style home built shortly after the architect’s death was recently restored.
Seeking $1.5M, the nearly 3,000-square-foot Usonian-style home built shortly after the architect’s death was recently restored.

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