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DeNiord designed a simple concrete bench with a honed top to run parallel to the randomly sized concrete pads that lead to the covered entry. He planted blueberry bushes behind the bench and a river birch tree behind the boulder. To conjure a wabi-sabi feel outdoors, diNiord poured concrete around a boulder. “It represents the interruption of perfect geometry,” he says.

In the dining area, Cassina chairs hug a Henrybuilt table. The kitchen features a concrete counter by Ryan McPhail and an Elio faucet by Dornbracht.

Masterbathroom with custom walnut vanity and medicine cabinet niche

Australian studio Keen Architecture designed this large laundry room with minimalist grey walls, subway tiles splashback, built-in cabinetry and a large window that opens out to the garden, perfect for clothes in need of sun-drying.

The master bath features round penny tiles and concrete tile floors.

In one of the home's bathrooms, a sink from Lindsey Wherrett Ceramics gracefully sits under a circular mirror from Clearlight Designs. The Ilde Wood S pendant is by David Abad.

The bentwood mirrors and brass fixtures in the master bathroom fit in with the subtle midcentury design language throughout the home. A large window fills the space with natural light, which bounces off the white Carrara marble vanity top and herringbone tiles on the wall.

Just off the bedroom, a restrained bathroom combines Duravit D-code sinks with Techno by Cifial faucets and a Toto Aquia toilet.

Located on the house’s lower level, the bedroom is bright but soothing. The bed is flanked by custom side tables and covered with a red West Elm duvet.

“Durability drove the selection of metal panels,” Schaer says of the home’s industrial exterior. Manufactured by AEP SPAN from corrugated cladding, it looks like zinc but costs significantly less. It also contrasts nicely with the natural siding and trim. “All of the wood inside and out is Douglas Fir, the predominant wood species in the northwest,” Schaer explains.

The toilet is hidden behind a tiled wall-partition at the foot of the tub.

For a Toronto couple with a love of minimalist Japanese architecture, a sleek, storage-packed kitchen was the first priority in their home's renovation. In the kitchen, white oak used for the cabinets, kitchen island, and dining table is finished with double-boiled linseed oil, which can be reapplied by the homeowners as the wood mellows and patinas. The custom beveled edge for the island's "Blizzard" white Caesarstone countertop forgoes the standard one-inch countertop overhang to save on space and maintain a sleek feel. A Vola faucet is used with a sink by Mekal.

Stacey and Doug prepare food before the kitchen's massive wall of soothing tile from Heath Ceramics.

The 1952 dwelling that Greg Hoffman and his wife, Kirsten Brady, bought in Portland, Oregon, had many virtues. It had history (the first owner was an inventor who made stereoscopic devices), it had a strong architectural pedigree (it was designed by respected local architect Roscoe Hemenway), and above all, it had views. But, of course, it also had its flaws: the ceilings were low, the interior was chopped into a warren of rooms, and the windows weren’t exactly abundant. "We wanted open plans, more transparency, less tiny rooms," says Greg, the VP of global brand innovation at Nike. With the aid of Bohlin Cywinski Jackson—the 50-year-old architecture firm that is best known for the Fifth Avenue Apple store in New York City—the couple embarked on a project to enrich the landscaping, simplify the layout, and add a new top floor, all while amplifying the view with more glass. After a major renovation, the midcentury home with some of the best views in Portland, Oregon, took on a drastically new look.

Bathroom

A vintage Molded Plywood Lounge Chair (LCW) by Charles and Ray Eames for Herman Miller sits in front of built-in shelving in untreated hemlock.