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Collection by Kurt Daniello

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The facade is covered in a combination of Indiana limestone and yellow Roman brick. A decorative frieze along the top was completed by sculptor Richard Bock, alluding to the decorative style of Wright's early mentor and employer, the "father of the modern skyscraper" and architect Louis Sullivan.
The facade is covered in a combination of Indiana limestone and yellow Roman brick. A decorative frieze along the top was completed by sculptor Richard Bock, alluding to the decorative style of Wright's early mentor and employer, the "father of the modern skyscraper" and architect Louis Sullivan.
In the open kitchen, stainless-steel appliances blend in with the metal cabinetry.
In the open kitchen, stainless-steel appliances blend in with the metal cabinetry.
The multi-level home sits perched above the street, surrounded by meticulous landscaping of olive trees, soaring hedges, and lush vegetation.
The multi-level home sits perched above the street, surrounded by meticulous landscaping of olive trees, soaring hedges, and lush vegetation.
Original details can be found throughout, including the stone-clad walls and exposed beams awaiting on the lower level.
Original details can be found throughout, including the stone-clad walls and exposed beams awaiting on the lower level.
The guest suite/den comes with a private entrance, allowing the space to serve multiple purposes, such as a second primary suite or guest unit.
The guest suite/den comes with a private entrance, allowing the space to serve multiple purposes, such as a second primary suite or guest unit.
Large sliding windows retract at the corner, opening the living area onto a lawn overlooking Long Island Sound.
Large sliding windows retract at the corner, opening the living area onto a lawn overlooking Long Island Sound.
The architects maintained the midcentury post-and-beam construction and Japanese-inspired details of the original building, while brightening and expanding the interior living spaces. Patricia Urquiola’s Tufty-Time sofa for B&B Italia meets Pebble coffee tables by Nathan Yong for Ligne Roset in the living room.
The architects maintained the midcentury post-and-beam construction and Japanese-inspired details of the original building, while brightening and expanding the interior living spaces. Patricia Urquiola’s Tufty-Time sofa for B&B Italia meets Pebble coffee tables by Nathan Yong for Ligne Roset in the living room.
Dark furnishings, light fixtures, and cabinetry complete the insular, protective feel of the interiors. The dining table was custom-designed by the architects and crafted from recycled wood from Vinuela's grandfather.
Dark furnishings, light fixtures, and cabinetry complete the insular, protective feel of the interiors. The dining table was custom-designed by the architects and crafted from recycled wood from Vinuela's grandfather.
The bathroom features a freestanding tub made from an upcycled feeding trough from a farm, and a salvaged door. There is a composting toilet, and water comes from a 1000-liter rainwater tank located on the second floor.
The bathroom features a freestanding tub made from an upcycled feeding trough from a farm, and a salvaged door. There is a composting toilet, and water comes from a 1000-liter rainwater tank located on the second floor.
The home's overhanging roof is trimmed with copper, adding a subtle pop of color against its otherwise neutral, brick-clad facade.
The home's overhanging roof is trimmed with copper, adding a subtle pop of color against its otherwise neutral, brick-clad facade.
"When the current owners bought the property in 1955, they wrote to Wright asking if he had designed any landscaping for the house; Wright responded that he hadn’t but directed them to buy furniture from his new line that matched the home,
"When the current owners bought the property in 1955, they wrote to Wright asking if he had designed any landscaping for the house; Wright responded that he hadn’t but directed them to buy furniture from his new line that matched the home,
"In an exclusive collaboration with the Christie’s Auction House, the furnishings—including Wright’s 1955 letter—are available to buy with the house at a cost of about $900,000,
"In an exclusive collaboration with the Christie’s Auction House, the furnishings—including Wright’s 1955 letter—are available to buy with the house at a cost of about $900,000,

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