Collection by B retz

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Boy Boy fabricated the framing for the flue shroud and base, which was then finished with plaster, and given a limestone benchtop. The Arto Ceramic tile extends into the kitchen, which has a preserved wood ceiling with new skylights.
Boy Boy fabricated the framing for the flue shroud and base, which was then finished with plaster, and given a limestone benchtop. The Arto Ceramic tile extends into the kitchen, which has a preserved wood ceiling with new skylights.
The architects used natural materials and colors in the kitchen to make the space feel serene, expansive, and connected to the outdoors.
The architects used natural materials and colors in the kitchen to make the space feel serene, expansive, and connected to the outdoors.
Achieving such efficiency and maintaining the integrity of the wetlands and woodlands on the property meant more research for both the designers and the resident—just getting approval for the siting of the buildings and the driveway took eight months—but Hague is hardly one to do things half way. “A lot of times couples engage in house-building, like birds. I'm doing this solo, more like a monk,” he says of the deeply personal undertaking.
Achieving such efficiency and maintaining the integrity of the wetlands and woodlands on the property meant more research for both the designers and the resident—just getting approval for the siting of the buildings and the driveway took eight months—but Hague is hardly one to do things half way. “A lot of times couples engage in house-building, like birds. I'm doing this solo, more like a monk,” he says of the deeply personal undertaking.
In the master bathroom, the cement floor tiles are by Mosaic House; the glazed subway tiles are from Daltile; and the trim is honed, vein-cut Montclair Danby marble. The Signature Hardware tub sits in a custom wood cradle designed to match the home’s timber frame; the fixtures are by Waterworks. The Twist stool is from Classic Country in nearby Hudson, New York.
In the master bathroom, the cement floor tiles are by Mosaic House; the glazed subway tiles are from Daltile; and the trim is honed, vein-cut Montclair Danby marble. The Signature Hardware tub sits in a custom wood cradle designed to match the home’s timber frame; the fixtures are by Waterworks. The Twist stool is from Classic Country in nearby Hudson, New York.
In New York about two hours north of New York City, architecture and interiors firm BarlisWedlick created an eclectic compound designed to suit a client with an idiosyncratic wish list. In the kitchen, a custom Stickbulb LED lamp hangs above a kitchen island topped by concrete from Get Real Surfaces. The cabinets and island feature a modern version of a traditional board and batten siding that are given an even more contemporary feel with the concrete countertop.
In New York about two hours north of New York City, architecture and interiors firm BarlisWedlick created an eclectic compound designed to suit a client with an idiosyncratic wish list. In the kitchen, a custom Stickbulb LED lamp hangs above a kitchen island topped by concrete from Get Real Surfaces. The cabinets and island feature a modern version of a traditional board and batten siding that are given an even more contemporary feel with the concrete countertop.
The bedding is intentionally simple, without layers of unnecessary pillows, and the “non-headboard headboard,” as Santos describes it, is a loose macramé wall hanging by Sally England. The built-in storage wall that defines the space is painted Kendall Charcoal by Benjamin Moore in a matte finish—a shade used on millwork throughout the house. The Isaac brass sconces are from Schoolhouse Electric, and the floor lamp is from Crate & Barrel. The rocker was custom made by Onefortythree in Las Vegas.
The bedding is intentionally simple, without layers of unnecessary pillows, and the “non-headboard headboard,” as Santos describes it, is a loose macramé wall hanging by Sally England. The built-in storage wall that defines the space is painted Kendall Charcoal by Benjamin Moore in a matte finish—a shade used on millwork throughout the house. The Isaac brass sconces are from Schoolhouse Electric, and the floor lamp is from Crate & Barrel. The rocker was custom made by Onefortythree in Las Vegas.
The open living-and-bedroom area of Ian Hague’s rural retreat can be divided by a wall that rises from within the master-suite platform. Interior designer Elaine Santos blended her client’s collection of vintage furniture with no-fuss pieces like a Shaker-style bench by Ilse Crawford for De La Espada.
The open living-and-bedroom area of Ian Hague’s rural retreat can be divided by a wall that rises from within the master-suite platform. Interior designer Elaine Santos blended her client’s collection of vintage furniture with no-fuss pieces like a Shaker-style bench by Ilse Crawford for De La Espada.
Dufner organized the studio by using furniture and rugs to divide it into zones for different functions. In the dining area, the floor is fumed oak—a technique that incorporates the use of ammonia to deepen the wood’s color and bring out the grain. A pair of Grass-Seated chairs by Nakashima Studio surround a Tulip table by Eero Saarinen for Knoll.
Dufner organized the studio by using furniture and rugs to divide it into zones for different functions. In the dining area, the floor is fumed oak—a technique that incorporates the use of ammonia to deepen the wood’s color and bring out the grain. A pair of Grass-Seated chairs by Nakashima Studio surround a Tulip table by Eero Saarinen for Knoll.