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Matching the grain and texture of the kitchen to the rest of the cladding in the house creates a seamless look and adds coziness and warmth to an otherwise-open space.

In the kitchen, Eames chairs flank a custom dining table, and the pendant is by Wever & Ducré.

Marlatt built the cabinets in place from Russian Birch plywood, and the counters are a thin application of Neolith stone. The backsplash is glass, making for easy clean-up, and a few of the cabinet fronts are painted Masonite, for fun pops of color. The ceramics on the shelves are by Burgevin.

A special finish brings out the grain in the kitchen's walnut cabinetry.

The utility sink and moveable countertop were purchased second-hand. Throughout the interiors, the framing was left exposed. Fire-resistant mineral wool insulation was applied to the exterior, then clad with Alaskan Yellow Cedar boards finished in a shou sugi ban treatment.

Architect Nahoko Ueda and the homeowners chose a Space Theory kitchen with a combination of white laminate and walnut cabinetry.

In the kitchen, the countertops are Absolute Black wire-brushed granite from Walker Zanger, the cooktop and hoods are from Viking, the dishwashers are Miele, and the serious coffee setup (Mel is the former CEO of The Coffee Bean & Tea Leaf) includes an espresso machine from La Marzocco and grinders by Mazzer. Bradley designed the cherrywood veneer cabinetry, which was made and installed by Marmol Radziner, with a custom piece by Alaco Ladder Company.

“I like the darkness of walnut. Other woods tend to yellow if you don’t stain it, while walnut stays true to itself,” Caleb says. The white glass tile backsplash melds with the wall.