Collection by Cameron
The sloped roof of Carlton’s art studio grows a colorful mix of sedum species.
The sloped roof of Carlton’s art studio grows a colorful mix of sedum species.
The architects maintained the midcentury post-and-beam construction and Japanese-inspired details of the original building, while brightening and expanding the interior living spaces. Patricia Urquiola’s Tufty-Time sofa for B&B Italia meets Pebble coffee tables by Nathan Yong for Ligne Roset in the living room.
The architects maintained the midcentury post-and-beam construction and Japanese-inspired details of the original building, while brightening and expanding the interior living spaces. Patricia Urquiola’s Tufty-Time sofa for B&B Italia meets Pebble coffee tables by Nathan Yong for Ligne Roset in the living room.
The architects maintained the midcentury post-and-beam construction and Japanese-inspired details of the original building, while brightening and expanding the interior living spaces.
The architects maintained the midcentury post-and-beam construction and Japanese-inspired details of the original building, while brightening and expanding the interior living spaces.
The house prior to renovation.
The house prior to renovation.
A new addition to Sea Ranch’s enclave of utopian homes, this structure (and the separate guesthouse seen here) clad in rough concrete and Cor-ten steel seamlessly blends in with its half-a-century-old California neighbors. Designed by the dean of the Woodbury School of Architecture and the head of the University of Oregon’s architecture department, its spaces flow into one another underneath an angled plywood ceiling and illuminate built-in furniture crafted from vertical-grain Douglas fir.
A new addition to Sea Ranch’s enclave of utopian homes, this structure (and the separate guesthouse seen here) clad in rough concrete and Cor-ten steel seamlessly blends in with its half-a-century-old California neighbors. Designed by the dean of the Woodbury School of Architecture and the head of the University of Oregon’s architecture department, its spaces flow into one another underneath an angled plywood ceiling and illuminate built-in furniture crafted from vertical-grain Douglas fir.
The interior is lined almost entirely in birch plywood panels.
The interior is lined almost entirely in birch plywood panels.
A trio of original artworks by Andrea hang above the Rejuvenation bed in the primary bedroom. A pair of Industry West Cane Wardrobes provide storage.
A trio of original artworks by Andrea hang above the Rejuvenation bed in the primary bedroom. A pair of Industry West Cane Wardrobes provide storage.
“There are a lot of cool and very beautiful cabins being designed, but they all look alike,” Pérez Rea Juncá says. “The generic wooden cabin—it’s always this natural-pine tone,” says Germenos Garcia. The O-Frame uses pine plywood for the walls and ceiling and uses treated pine planks for the floor, but it’s all stained in dark and earthy colors.
“There are a lot of cool and very beautiful cabins being designed, but they all look alike,” Pérez Rea Juncá says. “The generic wooden cabin—it’s always this natural-pine tone,” says Germenos Garcia. The O-Frame uses pine plywood for the walls and ceiling and uses treated pine planks for the floor, but it’s all stained in dark and earthy colors.
The kitchen includes a 1970s Burke tulip table, vintage chairs by Kai Kristiansen, and a George Nelson Saucer Bubble pendant from Herman Miller.
The kitchen includes a 1970s Burke tulip table, vintage chairs by Kai Kristiansen, and a George Nelson Saucer Bubble pendant from Herman Miller.
Niki Weber and J.P. Guiseppi were booted from their rental in Venice, California, with only a month’s notice. In the frantic search that followed, the pair bought the first property they visited: a hillside residence in the Silver Lake neighborhood of L.A. The plot had enough space down slope to install an ADU. Putting their hard years of renting to good effect, the pair hired Cover, a Los Angeles-based start-up specializing in prefab backyard homes, to build the rental they wish they had lived in as tenants.
Niki Weber and J.P. Guiseppi were booted from their rental in Venice, California, with only a month’s notice. In the frantic search that followed, the pair bought the first property they visited: a hillside residence in the Silver Lake neighborhood of L.A. The plot had enough space down slope to install an ADU. Putting their hard years of renting to good effect, the pair hired Cover, a Los Angeles-based start-up specializing in prefab backyard homes, to build the rental they wish they had lived in as tenants.
Floor plan of Casa Cantellano by Omar Vergara and Renata de Miguel
Floor plan of Casa Cantellano by Omar Vergara and Renata de Miguel
During: Holly and David’s teenagers help with the deconstruction process.
During: Holly and David’s teenagers help with the deconstruction process.
Cornuelle, who’s from Hawaii, chose both older and contemporary Hawaiian art for the walls.
Cornuelle, who’s from Hawaii, chose both older and contemporary Hawaiian art for the walls.
The house was designed to minimally interfere with the hilltop vegetation, which is what attracted the family to the site.
The house was designed to minimally interfere with the hilltop vegetation, which is what attracted the family to the site.
At Las Rocas, you always have two views: the lake and the rocks, which was the impetus for erasing the corners of the home. “The corner openings were a must for this project, because they really connect you to the outside,” says architect Ignacio Urquiza.
At Las Rocas, you always have two views: the lake and the rocks, which was the impetus for erasing the corners of the home. “The corner openings were a must for this project, because they really connect you to the outside,” says architect Ignacio Urquiza.
Fully integrated with nature, the four homes that comprise Las Rocas complement rather than compete with nature. "We spent a week sitting there discussing if this project had to be super light and floating or heavy," says architect Ignaciou Urquiza. "And we decided to go heavy to generate lightness at the very end—trying to make the volumes floating."
Fully integrated with nature, the four homes that comprise Las Rocas complement rather than compete with nature. "We spent a week sitting there discussing if this project had to be super light and floating or heavy," says architect Ignaciou Urquiza. "And we decided to go heavy to generate lightness at the very end—trying to make the volumes floating."
The owner, a school teacher, reads with her child on the banquette, which is bathed in rare London sun.
The owner, a school teacher, reads with her child on the banquette, which is bathed in rare London sun.

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