Collection by lee hagen
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The screened porch at the rear of the property overlooks the forest, and it was a response to the request of architect Tom Knezic’s mother for a space that embraced the morning light from the east. “I got a lot of head scratching from people wondering why you would put a porch on the back—but it’s actually kind of nice to look at the forest, and you get the east light,” says Knezic. “It also means we have three aspects, while it’s more typical to have just the single aspect toward the lake.”
When Rob and Mary Lubera started pulling threads to uncover the origins of their new home—the lone midcentury house amid rows of Tudor Revivals in suburban Detroit—not even architecture scholars could have anticipated what they would find. Theirs is the last surviving residence by Alexander Girard (1907–1993), a modernist visionary who made his name in textiles but tried his hand at virtually everything, architecture included. The shoji-like laminate screens, seen in the entryway, are characteristic of his Japanese-influenced work.









