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Collection by Kelli L

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SF Historic Renovation
SF Historic Renovation
Custom cabinets in a mix of white oak and lacquered paint join Miele appliances and a honed quartz countertop.
Custom cabinets in a mix of white oak and lacquered paint join Miele appliances and a honed quartz countertop.
“I don’t paint landscapes when I’m here because I can’t compete with the natural beauty,” says Yael.
“I don’t paint landscapes when I’m here because I can’t compete with the natural beauty,” says Yael.
Reimagined by architect Lisa Breeze, this compact semidetached brick home in Melbourne was built by the client's granduncle in the 1940s and passed down through generations. While the kitchen was updated to fit a modern lifestyle, the pastel color, gentle curves, and preserved Bakelite handles are a nod to the original era.
Reimagined by architect Lisa Breeze, this compact semidetached brick home in Melbourne was built by the client's granduncle in the 1940s and passed down through generations. While the kitchen was updated to fit a modern lifestyle, the pastel color, gentle curves, and preserved Bakelite handles are a nod to the original era.
To avoid the sight of dirty dishes, the sink is on the side rather than in the island, where instead an induction stove from Bora (with a cleverly designed down-draw exhaust system) makes the kitchen “really social,” says Kate. “One of us can be cooking while the other can sit and have a glass of wine.”
To avoid the sight of dirty dishes, the sink is on the side rather than in the island, where instead an induction stove from Bora (with a cleverly designed down-draw exhaust system) makes the kitchen “really social,” says Kate. “One of us can be cooking while the other can sit and have a glass of wine.”
The kitchen features its original built-in clock; a Michael Graves Alessi kettle stands on the range.
The kitchen features its original built-in clock; a Michael Graves Alessi kettle stands on the range.
“I studied architecture as an undergrad, and even though I’m in interiors now, that education of not overpopulating spaces, of letting the building be seamless, has always carried through for me,” says Caroline.
“I studied architecture as an undergrad, and even though I’m in interiors now, that education of not overpopulating spaces, of letting the building be seamless, has always carried through for me,” says Caroline.