Collection by Bree Turner
Master bedroom.
Master bedroom.
Kitchen.
Kitchen.
Kitchen and living room.
Kitchen and living room.
Reading nook and skylight.
Reading nook and skylight.
Living room  (wood burning fireplace!).
Living room (wood burning fireplace!).
Kūono at Volcano
Kūono at Volcano
Loft
Loft
Living Room
Living Room
“We took a fair bit of influence from American Arts and Crafts houses, particularly in L.A., but with everything, I like to have a very Brisbane-centric end product,” says Wrightson.
“We took a fair bit of influence from American Arts and Crafts houses, particularly in L.A., but with everything, I like to have a very Brisbane-centric end product,” says Wrightson.
In the living room, a Stricto Sensu sofa by Didier Gomez and a Prado daybed by Christian Werner, both from Cinna, join a marble-topped coffee table by Florence Knoll. The red easy chair and ottoman are from the Platner Collection by Knoll, joined by a stool from La Redoute, a Tulip side table by Eero Saarinen for Knoll, and a pair of PK22 chairs by Poul Kjærholm for Fritz Hansen. The black Potence wall lamp is by Jean Prouvé while the tiles on the floor and above the fireplace are from Living Ceramics.
In the living room, a Stricto Sensu sofa by Didier Gomez and a Prado daybed by Christian Werner, both from Cinna, join a marble-topped coffee table by Florence Knoll. The red easy chair and ottoman are from the Platner Collection by Knoll, joined by a stool from La Redoute, a Tulip side table by Eero Saarinen for Knoll, and a pair of PK22 chairs by Poul Kjærholm for Fritz Hansen. The black Potence wall lamp is by Jean Prouvé while the tiles on the floor and above the fireplace are from Living Ceramics.
In true mid-century fashion, a George Nelson Bubble Lamp is paired with an Eames Lounge by Charles and Ray Eames in a corner of the living room. The glass walls and mitered corner are original features of architect Saul Zaik’s 1956 design.
In true mid-century fashion, a George Nelson Bubble Lamp is paired with an Eames Lounge by Charles and Ray Eames in a corner of the living room. The glass walls and mitered corner are original features of architect Saul Zaik’s 1956 design.
“I wanted to change the kitchen,” Lyndsay says. “The cabinetry was too dark, so we wanted to lighten it up. At first, it was an orange wood—and we ended up painting it white to achieve this.”
“I wanted to change the kitchen,” Lyndsay says. “The cabinetry was too dark, so we wanted to lighten it up. At first, it was an orange wood—and we ended up painting it white to achieve this.”