Collection by Sarah Buckley
A dark and light green color palette is at the core of this kitchen in France, and helps to create an “introspective space”.
A dark and light green color palette is at the core of this kitchen in France, and helps to create an “introspective space”.
The fireplace was kept as a nod to the old house, as “it was beautiful and didn't need a lot of work,” says Berg. It has the original brick with a micro cement surround.
The fireplace was kept as a nod to the old house, as “it was beautiful and didn't need a lot of work,” says Berg. It has the original brick with a micro cement surround.
In the bedroom, a party wall is a backdrop for the bed, and there’s a generous walk-in closet on the other side of it.
In the bedroom, a party wall is a backdrop for the bed, and there’s a generous walk-in closet on the other side of it.
In a spare bedroom/playroom located in another section of the house, Berg played with juxtapositions of shapes, installing an oak-wrapped, triangular reading nook inset with a circular window.
In a spare bedroom/playroom located in another section of the house, Berg played with juxtapositions of shapes, installing an oak-wrapped, triangular reading nook inset with a circular window.
A pink concrete dining-cum-coffee table holds a fire-pit at one end, where it’s surrounded by a pair of Gae Aulenti lounge chairs, a Tufty Time sofa from B&B Italia, and a Mies van der Rohe Barcelona chair. The 1930s dining chairs are by Hynek Gottwald.
A pink concrete dining-cum-coffee table holds a fire-pit at one end, where it’s surrounded by a pair of Gae Aulenti lounge chairs, a Tufty Time sofa from B&B Italia, and a Mies van der Rohe Barcelona chair. The 1930s dining chairs are by Hynek Gottwald.
Sometimes all it takes is a little luck. For a young married couple, it came in the form of this rare find: a 19th-century, three-story, single-family home in the heart of Paris. The building was a charmer with good bones, but was in need of some serious care. In a vibrant retrofit by architect Pierre-Louis Gerlier that includes structural reinforcements, the reimagined design is set off with a new floor plan. The lower level now serves as a space for the couple’s children, with the public areas—including an open-plan living/dining room and kitchen—on the floor above. Upstairs, the attic has been transformed into a very large primary bedroom with a green-and-white bathroom suite. The living room (pictured) showcases the firm’s bespoke carpentry work with a beautiful, mossy-green built-in bookcase that frames a new fireplace, and a staircase surrounded by arched doorways that hold hidden storage. “We created visual breakthroughs in order to connect the different spaces,” says Gerlier. “The rounded arches are there to help magnify these moments.”
Sometimes all it takes is a little luck. For a young married couple, it came in the form of this rare find: a 19th-century, three-story, single-family home in the heart of Paris. The building was a charmer with good bones, but was in need of some serious care. In a vibrant retrofit by architect Pierre-Louis Gerlier that includes structural reinforcements, the reimagined design is set off with a new floor plan. The lower level now serves as a space for the couple’s children, with the public areas—including an open-plan living/dining room and kitchen—on the floor above. Upstairs, the attic has been transformed into a very large primary bedroom with a green-and-white bathroom suite. The living room (pictured) showcases the firm’s bespoke carpentry work with a beautiful, mossy-green built-in bookcase that frames a new fireplace, and a staircase surrounded by arched doorways that hold hidden storage. “We created visual breakthroughs in order to connect the different spaces,” says Gerlier. “The rounded arches are there to help magnify these moments.”
The living area is oriented around a floating window seat crafted from oak. "We wanted a place for guests to comfortably sit, read, and reflect in the beautiful Colorado surroundings," says Tarah. "We sourced the perfect slab of white oak from a local mill. We kept the edges raw and used a light, matte finish that highlighted the natural beauty without it being over saturated. I wanted it to feel as unfinished and natural as possible."
The living area is oriented around a floating window seat crafted from oak. "We wanted a place for guests to comfortably sit, read, and reflect in the beautiful Colorado surroundings," says Tarah. "We sourced the perfect slab of white oak from a local mill. We kept the edges raw and used a light, matte finish that highlighted the natural beauty without it being over saturated. I wanted it to feel as unfinished and natural as possible."
The designer’s brother, Václav Valda, carved the cabinets for the container house using a milling cutter.
The designer’s brother, Václav Valda, carved the cabinets for the container house using a milling cutter.
Visiting a Manhattan apartment designed by Tim Seggerman is like sitting inside one of Nakashima’s cabinets, a metaphor realized most fully in an ingenious "library"—really a glorified cubby with a banded maple ceiling, conjured from a free space adjacent to the loft bed.
Visiting a Manhattan apartment designed by Tim Seggerman is like sitting inside one of Nakashima’s cabinets, a metaphor realized most fully in an ingenious "library"—really a glorified cubby with a banded maple ceiling, conjured from a free space adjacent to the loft bed.
Mutina ceramic tiles line the bathroom.
Mutina ceramic tiles line the bathroom.
White oak paneling lines the sleeping loft.
White oak paneling lines the sleeping loft.

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