Collection by Živilė Damulytė
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Project architects Studio Marshall Blecher and Jan Henrik Jansen Arkitekter opened up the center of the house, previously comprising a maze of fourteen small rooms, creating one large and airy kitchen and dining space with a high, chapel like ceiling. A six-meter-long concrete plinth standing at the center of the room which doubles as an island bench and dining table, had to be lowered into the house by a crane while the roof was being reconstructed.
“I’m the queen of Ikea cabinets,” laughs Jade. She commissioned custom birch-veneer plywood for the doors from L.A.’s Anderson Plywood. While she was budget-conscious in many ways, she also is willing to splurge where it counts. “Hardware is where I spend money. That’s where people touch and feel it,” she says. “It’s important to me that it feels significant.” Here, pulls and knobs come from Mockett. The countertop is a man-made resin from Arizona Tiles in La Quinta.
The expanded kitchen has a large central island, with room for prep, seating, storage, and cooking. The cabinetry is a mix of wood, Shinnoki Milk Oak, and white fronts, Fenix NTM Bianco Kos. The terrazzo counters are by Concrete Collaborative. There are two types of tiles: the Mutina Rombini fluted tile on the island and Cepac Krave Sugar Tiles on the backsplash. “It looks very mid-century modern,” says Blaine of the backsplash tile. “But in this application, it also adds that little touch of depth that I think is really important to making the house feel interesting.” The counter stools are from Hay.
After: The soaring new living and dining space benefits from an abundance of natural light from every side, and they spent a lot of time trying to find the best lighting for the kitchen. The final choice: long, narrow copper pendants from Denmark suspended by ultra thin wires to not disrupt the visual flow of the room.
The new kitchen features green kit kat tiles, a terrazzo-effect rubber floor, white cabinetry, and cherry wood veneered cabinets. The client originally wanted teak cabinets, but 4 S Architecture recommended using cherry wood instead as it is more sustainable but has the same warm tones as teak. “We couldn’t get behind teak as a product so we used FSC certified European cherry that has less air miles than American cherry,” explains architect Julia Hamson. “The client was really pleased with the result.”


















