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All of the furnishings are domestically made and were sourced from Erica’s design store, Solsken, in the Palermo district of Buenos Aires. “The leather upholstered chairs and benches won recognition for good design for furniture produced in Argentina, so I’m proud to have them on display here,” she says.
For Gabriel Ramirez and his partner Sarah Mason Williams, following the Sea Ranch rules—local covenants guide new designs—didn’t mean slipping into Sea Ranch clichés. The architects love Cor-Ten steel, with its ruddy and almost organic surface, and they made it the main exterior material, along with board-formed concrete and ipe wood. The Cor-Ten, which quickly turned an autumnal rust in the sea air, and the concrete, with its grain and crannies, mean the house isn’t a pristine box, Ramirez says. His Neutra house “was very crisp and clean,” he says. “This house is more distressed, more wabi-sabi.”
Painting the walls Benjamin Moore's Gentleman's Gray went a long way to elevate the den, which doubles as an office for Noah. Interior designer Allyson Campbell completed the space with a Roche Bobois sofa, a lounge chair by Ferm Living and pillows covered in a Garza Maria stripe (on sofa) and fabric by Pierre Frey (on the built-ins flanking the fireplace).
The Mutual Housing Association Site Office, used by the original architects and engineers for nearly a decade, was later renovated into a home after a brief stint as the community’s arts building. In 2000, after architects Cory Buckner and Nick Roberts moved in, it was established as Historic-Cultural Monument number 680 by the city of Los Angeles.
The simplified post-and-beam construction reflects Bob’s penchant for economy. “The house is designed on a sixteen-foot grid, which reduces a lot of waste of materials in random lengths and sizes,” he says. “I was able to build it entirely out of dimensional lumber rather than engineered lumber.” The wood is painted a custom charcoal color from Sherwin-Williams.
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