Collection by Khalia Bates
When Austin-based firm Matt Fajkus Architecture was tasked with renovating this classic midcentury home, they sought to open up the interior—not only by unifying the common areas into an open-plan layout, but also by literally raising the home's roof. This strategy increased the ceiling height on three sides of the home, allowing for the insertion of clerestory windows to create a bright and airy open living space. "The raised ceiling maintains the original pitched roof geometry to stay harmonious with the existing gabled roof in the private zone," explain the architects in a statement.
When Austin-based firm Matt Fajkus Architecture was tasked with renovating this classic midcentury home, they sought to open up the interior—not only by unifying the common areas into an open-plan layout, but also by literally raising the home's roof. This strategy increased the ceiling height on three sides of the home, allowing for the insertion of clerestory windows to create a bright and airy open living space. "The raised ceiling maintains the original pitched roof geometry to stay harmonious with the existing gabled roof in the private zone," explain the architects in a statement.
A design-minded family team with plentiful carpentry experience gives this 1967 abode a modern update while preserving its midcentury charm.
A design-minded family team with plentiful carpentry experience gives this 1967 abode a modern update while preserving its midcentury charm.
In a midcentury home in Victoria, Australia, an interior designer embraces color and a connection to the outdoors.
In a midcentury home in Victoria, Australia, an interior designer embraces color and a connection to the outdoors.
A dated midcentury dwelling in Santa Barbara is transformed into a bright, airy abode—perfectly suited for contemporary living.
A dated midcentury dwelling in Santa Barbara is transformed into a bright, airy abode—perfectly suited for contemporary living.
Midcentury completists score the ultimate catch: a 1959 post-and-beam fixer-upper in which to showcase their sprawling collection.
Midcentury completists score the ultimate catch: a 1959 post-and-beam fixer-upper in which to showcase their sprawling collection.
When current homeowner Joseph Amory purchased 3322 Ocotea Street in 2014, the 1959 residence’s midcentury plan had been corrupted. Undaunted, Amory enlisted In Situ Studio to modernize the 3,400-square-foot dwelling while preserving its midcentury roots.
When current homeowner Joseph Amory purchased 3322 Ocotea Street in 2014, the 1959 residence’s midcentury plan had been corrupted. Undaunted, Amory enlisted In Situ Studio to modernize the 3,400-square-foot dwelling while preserving its midcentury roots.
Knob Modern, helmed by Amy Beaumont, renovated this 1964 cookie-cutter home in Tempe with an eye toward making the two-bedroom, two-bath home "stand out from the rest.
Knob Modern, helmed by Amy Beaumont, renovated this 1964 cookie-cutter home in Tempe with an eye toward making the two-bedroom, two-bath home "stand out from the rest.
As most of the original interior had been gutted and remodeled by previous owners, the surviving design elements were just the bones, including the floor plan, facade, and most of the original framework. The owner used these structural components to heighten the indoor/outdoor quality, while also replacing frosted glass with clear, double-paned glass.
As most of the original interior had been gutted and remodeled by previous owners, the surviving design elements were just the bones, including the floor plan, facade, and most of the original framework. The owner used these structural components to heighten the indoor/outdoor quality, while also replacing frosted glass with clear, double-paned glass.
When a couple fell for the charms of an early 1960s house near Melbourne, they were equally excited by its history as its possibility. And so they tasked Nest Architects with a renovation that would honor its midcentury bones without being an homage to a bygone era.
When a couple fell for the charms of an early 1960s house near Melbourne, they were equally excited by its history as its possibility. And so they tasked Nest Architects with a renovation that would honor its midcentury bones without being an homage to a bygone era.
In the mid-fifties, modern residential architecture was suspect in the Eastern San Gabriel Valley. The Roberts family requested a ranch house, but Neutra steered his clients towards his vision. Mrs. Roberts wanted a low plaster ceiling throughout the home, which Neutra refused, choosing tongue-and-groove Douglas fir boards instead. He compromised with a plaster ceiling in the living room, pictured above.
In the mid-fifties, modern residential architecture was suspect in the Eastern San Gabriel Valley. The Roberts family requested a ranch house, but Neutra steered his clients towards his vision. Mrs. Roberts wanted a low plaster ceiling throughout the home, which Neutra refused, choosing tongue-and-groove Douglas fir boards instead. He compromised with a plaster ceiling in the living room, pictured above.
Having served as her birthplace and childhood home where her parents and grandparents lived, the 1953 apartment that a client asked Brazilian studio Cupertino Arquitetura to renovate was steeped in family history.
Having served as her birthplace and childhood home where her parents and grandparents lived, the 1953 apartment that a client asked Brazilian studio Cupertino Arquitetura to renovate was steeped in family history.
Designed to comfortably accommodate three to five employees, the 1,000-square-foot home office that Matt Fajkus Architecture has recently built beautifully complements an existing midcentury abode in Austin, Texas.
Designed to comfortably accommodate three to five employees, the 1,000-square-foot home office that Matt Fajkus Architecture has recently built beautifully complements an existing midcentury abode in Austin, Texas.
The original building is set around an L-shaped courtyard. The main entrance is next to the carport on the street side, with a second entry toward the back of the house.
The original building is set around an L-shaped courtyard. The main entrance is next to the carport on the street side, with a second entry toward the back of the house.